Critics, Monsters, Fanatics, and Other Literary Essays

Critics, Monsters, Fanatics, and Other Literary Essays
افزودن به بوکمارک اشتراک گذاری 0 دیدگاه کاربران 5 (0)

مشارکت: عنوان و توضیح کوتاه هر کتاب را ترجمه کنید این ترجمه بعد از تایید با نام شما در سایت نمایش داده خواهد شد.
iran گزارش تخلف

فرمت کتاب

audiobook

تاریخ انتشار

2016

نویسنده

Donna Postel

ناشر

HighBridge

شابک

9781681680491
  • اطلاعات
  • نقد و بررسی
  • دیدگاه کاربران
برای مطالعه توضیحات وارد حساب کاربری خود شوید

نقد و بررسی

Publisher's Weekly

March 14, 2016
This essay collection from novelist (Foreign Bodies) and literary critic Ozick takes a fresh look at renowned writers of the past and present. She sorts the authors under consideration into different categories, including “Critics” (such as Edmund Wilson), “Figures” (such as Bernard Malamud and W.H. Auden), “Monsters” (such as Leo Baeck and Harold Bloom), and “Souls” (such as William Gass and Martin Amis). Ozick illuminates argument through juxtaposition. Thus, essays by Jonathan Franzen and Ben Marcus are seen as seeking, but not finding, “an infrastructure of serious criticism.” Lionel Trilling, “the most celebrated critic of his time,” is seen here through the lens of his fiction, and Saul Bellow through his letters rather than his novels. A piece on Kafka is partly biographical essay and partly exploration of the nature of biography. Hebrew, as language and identity marker, takes center stage for a public conversation between Marilynne Robinson and Robert Alter at the 92nd Street Y, forging links to Ozick’s recurring theme of Jewish identity, and to her last section devoted to Holocaust literature. The Beat Generation comes in for a bit of scolding along the way, but Ozick opens more doors than she closes. “Serious criticism is surely a form of literature,” she posits, and serious readers will agree and find it practiced here. Agent: Melanie Jackson, Melanie Jackson Agency.



AudioFile Magazine
This audiobook will open doors. For listeners familiar with Cynthia Ozick's brilliant criticism, these essays affirm that status. For those unfamiliar with Ozick's criticism, this audiobook serves as an excellent introduction. Although narrator Donna Postel doesn't sound like Ozick, whose actual voice is as memorable as her writing, Postel's performance brings out the author's literary voice with the right mix of wit, inflection, and hyperbole. In doing so, Postel's varied yet consistently low-key delivery complements the wide range of topics the book covers, including Ozick's perspectives on a variety of authors such as Saul Bellow, Martin Amis, and Franz Kafka. D.J.S. Winner of AudioFile Earphones Award � AudioFile 2016, Portland, Maine


دیدگاه کاربران

دیدگاه خود را بنویسید
|