The Prestige

Priest's remarkable novel won the World Fantasy Award in 1996. Now it's been produced as an audiobook every bit as remarkable. Simon Vance provides the voices of two warring professional stage magicians at the turn of the nineteenth century: Alfred Borden and Rupert Angier. The entire novel is told through journal entries by these two prestidigitators. Hearing Vance mellifluously pronounce words like "prestidigitator" as if they were part of his normal speech makes the book worth the time, but there is so much more. These characters are shrouded in mystery from the very first minutes, and Vance expertly portrays these two men as their lives (and their tricks) are slowly revealed. S.D.D. Winner of AudioFile Earphones Award, 2007 Audies Award Finalist (c) AudioFile 2007, Portland, Maine

October 2, 1996
Priest, one of Granta's Best Young British Novelists (1983 list), has not been overproductive since he made a small reputation with The Affirmation and The Glamour, published here more than a dozen years ago. His new novel (the title of which refers to the residue left after a magician's successful trick) is enthrallingly odd. In a carefully calculated period style that is remarkably akin to that of the late Robertson Davies, Priest writes of a pair of rival magicians in turn-of-the-century London. Each has a winning trick the other craves, but so arcane is the nature of these tricks, so incredibly difficult are they to perform, that they take on a peculiar life of their own--in one case involving a mysterious apparent double identity, in the other a reliance on the ferocious powers unleashed in the early experimental years of electricity. The rivalry of the two men is such that in the end, though both are ashamed of the strength of their feelings of spite and envy, it consumes them both, and affects their respective families for generations. This is a complex tale that must have been extremely difficult to tell in exactly the right sequence, while still maintaining a series of shocks to the very end. Priest has brought it off with great imagination and skill. It's only fair to say, though, that the book's very considerable narrative grip is its principal virtue. The characters and incidents have a decidedly Gothic cast, and only the restraint that marks the story's telling keeps it on the rails.