No One to Trust

No One to Trust
افزودن به بوکمارک اشتراک گذاری 0 دیدگاه کاربران 4 (1)

مشارکت: عنوان و توضیح کوتاه هر کتاب را ترجمه کنید این ترجمه بعد از تایید با نام شما در سایت نمایش داده خواهد شد.
iran گزارش تخلف

فرمت کتاب

audiobook

تاریخ انتشار

2002

نویسنده

Bernadette Dunne

شابک

9780736697132
  • اطلاعات
  • نقد و بررسی
  • دیدگاه کاربران
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نقد و بررسی

AudioFile Magazine
Johansen's thriller draws on the intrigue and suspense of chasing after, and running away from, a drug lord for whom the ultimate exercise of power is to take his son from the one woman he could not conquer. Elena Kyler has eluded Chavez for years, and, just when it seems there is no further escape, Sean Galen plucks her out of danger and then finds himself unable to leave her to her own devices. As romance and suspense ensue, Bernadette Dunne's narration is intense and focused. She draws out the tension in the plot and captures the strengths and fears of Johansen's characters. J.E.M. (c) AudioFile 2003, Portland, Maine

Publisher's Weekly

August 12, 2002
Think Linda Hamilton in Terminator 2
and a jaded James Bond, and you've got the principals down pat for crowd-pleaser Johansen's (Body of Lies) latest romantic suspenser. Elena Kyler was born in Colombia and raised by her rebel fighter father, formerly an American mercenary. After her father dies and her rebel comrades sell out to druglord Rico Chavez, Elena, now in her mid-20s, concocts a desperate plan to save herself and her five-year-old son Barry from Chavez, who also happens to be Barry's father. She contacts the DEA, who call in the Bondian Sean Galen, a debonair maverick. The plan is to bring Elena and Barry to the U.S., then capture Chavez when he comes for his son. After a daring air-lift escape, Sean, Elena and Barry make it to California, but an ambush by Chavez's men leaves them running for their lives. Unaccustomed to relying on the kindness of strangers, Elena finds herself forced to lean on Sean as the two zigzag across the U.S., falling in love along the way. In the current climate, the threat of drug cartels feels dated and Chavez is such an over-the-top nasty that he's downright silly. Add to that a melodramatic anti-heroine, who's also a clichéd assassin-with-a-heart-of-gold seeking spiritual redemption, and a Southeastern climax that's as '80s as Miami Vice, and the sum total becomes a derivative stew. Johansen has delivered better in the past and hopefully will again in the future. Major ad/promo.




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