After Dark

After Dark
افزودن به بوکمارک اشتراک گذاری 0 دیدگاه کاربران 4 (1)

مشارکت: عنوان و توضیح کوتاه هر کتاب را ترجمه کنید این ترجمه بعد از تایید با نام شما در سایت نمایش داده خواهد شد.
iran گزارش تخلف

فرمت کتاب

audiobook

تاریخ انتشار

2007

Lexile Score

710

Reading Level

3

نویسنده

Janet Song

شابک

9780739343074
  • اطلاعات
  • نقد و بررسی
  • دیدگاه کاربران
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نقد و بررسی

AudioFile Magazine
In a stroke of genius, Murakami's latest novel places listeners behind the lens of a camera and proceeds to describe what they are looking at. On the page, this is a finely crafted experimental novel; it also works especially well in the audio format. Janet Song reads to perfection, her voice shifting its tone slightly as she focuses on one character, then another. She seamlessly captures both Chinese and Japanese accents. The short novel itself, focusing on the lives of a few people as they struggle to exist between midnight and dawn in a seedy Tokyo neighborhood, might at first seem trivial. It is not. Perfectly paced, it slowly reveals more and more about these complicated lives. We're not only interested--we're mesmerized. R.R. Winner of AudioFile Earphones Award (c) AudioFile 2008, Portland, Maine

Publisher's Weekly

February 19, 2007
Murakami's 12th work of fiction is darkly entertaining and more novella than novel. Taking place over seven hours of a Tokyo night, it intercuts three loosely related stories, linked by Murakami's signature magical-realist absurd coincidences. When amateur trombonist and soon-to-be law student Tetsuya Takahashi walks into a late-night Denny's, he espies Mari Asai, 19, sitting by herself, and proceeds to talk himself back into her acquaintance. Tetsuya was once interested in plain Mari's gorgeous older sister, Eri, whom he courted, sort of, two summers previously. Murakami then cuts to Eri, asleep in what turns out to be some sort of menacing netherworld. Tetsuya leaves for overnight band practice, but soon a large, 30ish woman, Kaoru, comes into Denny's asking for Mari: Mari speaks Chinese, and Kaoru needs to speak to the Chinese prostitute who has just been badly beaten up in the nearby "love hotel" Kaoru manages. Murakami's omniscient looks at the lives of the sleeping Eri and the prostitute's assailant, a salaryman named Shirakawa, are sheer padding, but the probing, wonderfully improvisational dialogues Mari has with Tetsuya, Kaoru and a hotel worker named Korogi sustain the book until the ambiguous, mostly upbeat dénouement.




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