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Joan Crawford
The Essential Biography
- اطلاعات
- نقد و بررسی
- دیدگاه کاربران
نقد و بررسی

September 15, 2002
She wasn't the greatest actress of the silver screen, but was there ever a bigger star than Joan Crawford? Who else had made ten films with Gable, danced with Fred Astaire, won an Academy Award for best actress (in 1945, for Mildred Pierce), outlasted her contemporary Greta Garbo by nearly three decades-and was hardly ever in a good film? And just as she was fading from memory, she got a new lease on notoriety with the publication of adopted daughter Christina's Mommie Dearest. In a dual preface, Quirk (The Films of Joan Crawford), a personal friend of the actress, rejects much of that highly unflattering account, while Schoell (Martini Man: The Life of Dean Martin) debunks it entirely. Their study is a thoroughgoing, evenhanded review of Crawford's life and work, which in tone is neither academic nor gossipy but rather confessional, as if they are eager to set the record straight. It should go a long way toward restoring Crawford's reputation as a hardworking professional who lived for her fans and managed to slap almost every leading man who ever played opposite her. In Sunset Boulevard, Gloria Swanson's character famously observed, "I'm still big; it's the pictures that got small." Perhaps the same could be said of Crawford. Recommended for all film collections in public and academic libraries.-Edward Cone, New York
Copyright 2002 Library Journal, LLC Used with permission.
دیدگاه کاربران