The Profiteers

Narrator Bernadette Dunne's soft, controlled narration is ill suited to the hard-hitting style of this book. The history of governmental relationships and interconnections enjoyed by the Bechtel Corporation, one of the world's largest construction companies, is its primary focus. At the outset, the work discusses founder Warren Bechtel, as well as the company's most famous early project: the construction of the Hoover Dam. Beyond the mismatch of narrator and material, the content style is dry. Source attribution of long passages often is revealed only after lengthy series of highly opinionated sentences. Bechtel's history, principals, and comfortable government relationships are used to demonstrate Denton's liberal point of view, making the book unbalanced. W.A.G. © AudioFile 2016, Portland, Maine

December 7, 2015
Greed, corruption, hypocrisy, and skullduggery shadow Bechtel, a mammoth construction company, in this dour corporate history. Journalist Denton (The Money and the Power) follows the contractor from its early days erecting the Hoover Dam through its current global omnipresence, building airports, pipelines, nuclear plants, and even a whole city in Saudi Arabia. She focuses on the company’s unsavory entanglements with the U.S. government and foreign potentates: for example, she ties a Reagan administration tilt toward Arab countries and against Israel to Secretary of State George Schultz and Secretary of Defense Caspar Weinberger, both ex-Bechtel executives. She suggests that they wanted to further the company’s interests in building Iraqi leader Saddam Hussein a sinister chemical plant and other projects. (A lengthy digression paints the Israeli spy Jonathan Pollard as a noble victim of a Bechtel-related vendetta by Weinberger.) Denton’s claims about the company’s control over U.S. policy—“Bechtel’s political influence in Washington would set the stage for privatizing foreign policy”—are never fully backed up with evidence; more convincing are her revelations about the mundane corruption of Bechtel’s coziness with government officials, which wins the company lucrative no-bid contracts. Denton’s rambling narrative gets overwrought about Bechtel’s tentacular villainy, but enough of her charges stick to raise troubling questions about the company’s relationships with the powerful.