Paul Newman

March 30, 2009
Film critic and biographer Levy (Rat Pack Confidential
) embarks on a respectful, thoroughgoing survey of Newman's long life (1925–2008) and massive film career without lingering on emotional and psychological factors. A kind of accidental hero, Newman recognized that his blue-eyed good looks would open doors for him, but by sheer determination and work ethic he muscled his way to the Olympian heights of America's finest actors. Born to middle-class Jewish parents in Shaker Heights, Ohio, he eventually enlisted in the navy then attended Kenyon College on the GI Bill; his early first marriage and dabbling in theater seemed to be a way to avoid having to return home and take over his father's sporting-goods store. He enrolled in Yale's drama department, then in 1952 gave himself a year in New York to prove himself: he hustled small, paying parts and gradually became a part of the Actors Studio, where he claimed to have learned everything he knew about acting. From then on, using his connections shrewdly, he moved from success on Broadway (Picnic
, where he met Joanne Woodward, whom he married in 1958) to TV (Our Town
) and Hollywood (Somebody Up There Likes Me
). From there, the professional accolades began piling up, while Levy also chronicles Newman's stunning success as a race-car driver, entrepreneur and philanthropist. Levy doesn't shy from discussing Newman's shortcomings as a father and husband, yet he leaves a glowing assessment of this legend's career.

Starred review from April 1, 2009
Portland Oregonian film critic Levy (The Last Playboy: The High Life of Porfirio Rubirosa, 2005, etc.) reckons with the life and work of one of the last great Hollywood icons.

Newman (1925–2008), notes the author, was well-loved for his waggish, self-deprecating charm, his philanthropy and his longtime marriage to actress Joanne Woodward. Of course, the actor also fascinated with his preternatural physical beauty, a fact that haunted him throughout the course of his career and, Levy suggests, was a key factor in his approach to his craft. Newman couldn't claim credit for his naturally athletic physique or piercing blue eyes, but he could take satisfaction in diligent study and old-fashioned hard work. He was not an obvious natural talent in his early forays into the field—begun while a student at Kenyon College—but rather a beautiful, magnetic charmer, a dilettante reluctant to join his family's prosperous sporting-goods company. That he achieved his status as a master film actor is a testament to sweaty, unglamorous effort and a mania for rehearsal and script analysis, fed by his participation in the Actors Studio. It often drove collaborators to distraction but slowly paid off in a series of indelible roles in films such as The Hustler (1961), Hud (1963) and Cool Hand Luke (1967). Levy charts Newman's evolving screen persona, from brash, cocky callowness to irreverent roguishness to gravelly authority, but the author is equally interested in Newman's storied auto-racing career and philanthropic enterprises, including his charity gourmet-food business and his Hole in the Wall Gang camps for seriously ill children. This industry and energy, along with the boyish love of pranks and dirty jokes, the compulsive self-puncturing of his legend, the devotion to Woodward and the stubborn integrity all reveal an unusually integrated personality so ineffably right for his mtier that mere mortals could only look on in wonder and delight.

An illuminating look at one of the true greats, full of humor and intelligent analysis—highly recommended.

(COPYRIGHT (2009) KIRKUS REVIEWS/NIELSEN BUSINESS MEDIA, INC. ALL RIGHTS RESERVED.)

May 18, 2009
Veteran film critic Levy (Rat Pack Confidential; The Last Playboy: The High Life of Porfirio Rubirosa) presents the most illuminating biography of Paul Newman to date. Levy covers Newman's 50-year career, but it is his personal life that may prove most revelatory: according to the author, Newman was a functioning alcoholic, had a long affair that nearly ruined his marriage, and was estranged from his only son, Scott-who died of an overdose. Nevertheless, Newman's marriage endured and he parlayed his celebrity into a long career as an entrepreneur and philanthropist. Verdict: A fitting-albeit dry-homage to a life fully lived. This respectful yet revelatory biography of a movie legend is highly recommended for fans of the actor and anyone who loves a thorough celebrity bio.-Rosellen Brewer, Sno-Isle Libs., Marysville, WA

Copyright 2009 Library Journal, LLC Used with permission.

April 1, 2009
As many diverse roles as Paul Newman played on the silver screen, he occupied nearly as many roles in his real life. Levy, in this for-the-record biography, shows us Newman as the hungry New York actor, the guilt-ridden divorc', the matinee idol, the grieving father, the business philanthropistand many more. Newman thought of himself as essentially two people: the public actor and the private man. Levy shows us that, in fact, Newman had many different identities within those two primary delineations. As the public performer, he was a consummate professional (and, of course, glamorous beyond compare). In this context, he wore not only the hat of leading man but also those of director, fund-raiser, promoter, and stage performer. In his private life, Newman proved just as supple, inhabiting the roles of loyal son and brother, supportive husband (to actress Joanne Woodward) and responsible provider for his six children. But he had his faults. Levy delicately documents Newmans extramarital dalliances as well as his fatherly failings. Ultimately, the author reveals how Newman was able to blend his many components and become a man of great integrity who was successful at almost everything he triedincluding his charitable pursuits. Levys representation of the many Newmans will leave readers feeling that they have somehow slipped through the security gate and gotten to know a movie star who was famously guarded about his private life.(Reprinted with permission of Booklist, copyright 2009, American Library Association.)