The Spanish Bow

This story of a boy and his love affair with music is part mystery and part fictional memoir. Paul Michael's rich baritone infuses the narrative with the tinge of an accent, which is appropriate for a novel set in late-twentieth-century Spain. His smooth narration eases the listener into the complex narrative, which traces the revolution in Cuba against a context of shifting adult relationships retold from a child's perspective Michael's smooth, confident tone navigates this family epic with an almost melodic cadence, effectively expressing the novel's focus on a boy's love affair with music. Michael expertly captures the novel's sentimental themes. M.R. (c) AudioFile 2008, Portland, Maine

July 9, 2007
In her impressive debut, Romano-Lax creates the epic story of Feliu Delargo, an underprivileged child prodigy whose musical ability brings him into contact with world leaders, first-class artists and a life filled with loss and triumph. Their father killed in Cuba just before the Spanish-American War, Feliu, his three brothers and one sister manage a meager life in Campo Seco, a small Catalan town, while their strong-willed mother fends off suitors. At 14, Feliu and his mother travel to Barcelona, where a cello tutor agrees to take on Feliu as a student. Over the years, as Feliu establishes himself, he crosses path with Justo Al-Cerra, an egotistical, manipulative pianist, and their touring leads to an intertwining of lives that becomes more complicated when they encounter Aviva, a violinist with her own emotional damage. As the trio tour and Europe careens toward WWII, Romano-Lax weaves into the narrative historical figures from Spanish royalty to Franco and Hitler, giving Feliu the opportunity to ponder the roles of morality in art and art in politics. Though the story has much heart and depth, Feliu’s proximity to so many watershed moments of the 20th century can make him feel more like an instructive icon than a person. But for sheer scope and ambition, this is a tough debut to beat.