Away

Double richness results when Bloom's novel is read in the lush voice of Barbara Rosenblat. Rosenblat's performance enhances the story of immigrant Lillian Leyb, who flees her Russian village after Christians massacre her Jewish family. Lillian is settling in New York when she learns that her daughter, Sophie, may be alive in Russia. Lillian travels to Siberia, along the way befriending people like Gumdrop Brown, a resilient prostitute from Seattle's Skid Row, and John Bishop, who is on the run from an accidental killing and living in the Yukon. Rosenblat's characterizations are vivid as she shifts seamlessly from Gumdrop's accent to Bishop's plainer speech. Historical references are plentiful, and the epic nature of the two-year journey will make listeners grateful for Rosenblat's experienced reading. S.W. (c) AudioFile 2007, Portland, Maine

Starred review from June 18, 2007
Life is no party for Lillian Leyb, the 22-year-old Jewish immigrant protagonist of Bloom’s outstanding fifth novel: her husband and parents were killed in a Russian pogrom, and the same violent episode separated her from her three-year-old daughter, Sophie. Arriving in New York in 1924, Lillian dreams of Sophie, and after five weeks in America, barely speaking English, she outmaneuvers a line of applicants for a seamstress job at the Goldfadn Yiddish Theatre, where she becomes the mistress of both handsome lead actor Meyer Burstein and his very connected father, Reuben. Her only friend in New York, tailor/actor/playwright Yaakov Shimmelman, gives her a thesaurus and coaches her on American culture. In a last, loving, gesture after receiving word that Sophie is living in Siberia, Yaakov secures Lillian passage out of New York to begin her quest to find Sophie. The journey—through Chicago by train, into Seattle’s African-American underworld and across the Alaskan wilderness—elevates Bloom’s novel from familiar immigrant chronicle to sweeping saga of endurance and rebirth. Encompassing prison, prostitution and poetry, Yiddish humor and Yukon settings, Bloom’s tale offers linguistic twists, startling imagery, sharp wit and a compelling vision of the past. Bloom has created an extraordinary range of characters, settings and emotions. Absolutely stunning.

September 24, 2007
Rosenblat, who has narrated hundreds of books over the past 15 years, has a deep, clear, engaging voice and a mastery of cadence and inflection that projects wit and nuanced meaning. Rosenblat is renowned for her proficiency with accents—an important skill for Bloom's fifth novel, which includes all sorts of wonderfully complex human beings: Reuben and Meyer Burstein, scions of the 1920s Lower East Side Yiddish theater; Midwestern WASPS; and Seattle's “colored” lumpen. Lillian Leyb, a 22-year-old Yiddish-speaking immigrant whose parents and husband were brutally slaughtered during a Russian pogrom, is searching for her missing three-year-old daughter, Sophie. In New York, Lillian hears that Sophie has been seen with a family in Siberia. With her dictionary, thesaurus and a map, she sets out on her journey across America. Bloom's graphic, often witty and erotic descriptions of Lillian's adventures include a blow job exchanged for a free ride in the broom closet of a train; her odd friendship with Gumdrop, a “colored” prostitute whose pimp they accidentally murder; and, finally, her moving redemption through care and love. Away
is a remarkable saga best experienced through Rosenblat's masterly interpretation. Simultaneous release with the Random House hardcover (Reviews, June 18, 2003).