Arms and The Man

ARMS AND THE MAN questions the false notions of war and love in Bulgaria and Russia in 1885. L.A. Theatre Works tries hard to honor Shaw in this production. Unfortunately, it does not succeed. Weak characterizations are at the heart of the problem as the actors lack any accent (Bulgarian, Russian, or British) and end up sounding simply American. Anne Heche's portrayal of Raina is disturbingly high pitched and breathy. Jeremy Sisto as Bluntschli possesses a deep voice with no energy, varied tones, or distinct qualities. Teri Garr as Catherine sounds as American as apple pie, a characterization that does not suit her Bulgarian character at all. This audio presentation is not up to the high standards of L.A. Theatre Works. M.R.E. (c) AudioFile 2007, Portland, Maine

May 28, 2007
Humor, rather than romance, abounds in this audio play performed in front of a live audience. From its “Who’s on First”–meets–Shakespeare introduction to its surprising and irrelevant ending, Romance
will leave listeners laughing uproariously at the running gags, outrageous language and amusing tangents. Fred Willard as a befuddled, overmedicated and pontificating judge hosts this kangaroo court of love affairs, foreign affairs and bigotry so blatant that it would be appalling if it wasn’t so satirical. The defendant has discovered the key to peace between Israelis and Palestinians, but unless he can get court to adjourn, his plans will be wasted. The small but talented cast (including Noah Bean, Ed Begley Jr., Gordon Clapp, Steven Goldstein, Rod McLachlan and Rob Nagle) possess perfect timing and delivery. While the gross and vulgar language may scare some listeners away, its nonchalant execution dissolves its venom and infuses humor. Dirty and delicious, listeners will find this audiobook ending sooner than they will desire.