The Circle

Eggers's novel begins with an almost giddy tone, re-created perfectly by narrator Dion Graham. Pulling every tool from his kit, Graham describes the inner workings of the world's largest Internet company as it develops a new identity operating system that will allow even easier access by users across different platforms. Graham gives Mae Holland the trill of a scratch-off winner who can't believe her luck when a friend helps her secure a position at the Circle. But--as the listener hears in Graham's increasingly horrified tone--this Google-like utopia quickly becomes a dystopia when Mae realizes what the Circle really has in mind. Listeners will be reminded of Orwell's 1984. R.O. (c) AudioFile 2013, Portland, Maine

Starred review from September 16, 2013
The latest offering from McSweeney's founder Eggers (A Hologram for the King) is a stunning work of terrifying plausibility, a cautionary tale of subversive power in the digital age suavely packaged as a Silicon Valley social satire. Set in the near future, it examines the inner workings of the Circle, an internet company that is both spiritual and literal successor to Facebook, Google, Twitter and more, as seen through the eyes of Mae Holland, a new hire who starts in customer service. As Mae is absorbed into the Circle's increasingly demanding multi- and social media experience, she plays an ever more pivotal role in the company's plans, which include preventing child abductions through microchips, reducing crime through omnipresent surveillance, and eliminating political corruption through transparency courtesy of personal cameras. Soon, she's not alone in asking what it will mean to "complete the Circle" as its ultimate goal comes into view; even her closest friends and family suspect the Circle is going too far in its desire to make the world a better, safer, more honest place. Eggers presents a Swiftian scenario so absurd in its logic and compelling in its motives that the worst thing possible will be for people to miss the joke. The plot moves at a casual, yet inexorable pace, sneaking up on the reader before delivering its warnings of the future, a worthy and entertaining read despite its slow burn. Agent: Andrew Wylie, The Wylie Agency.

November 25, 2013
When 20-something Mae Holland is recruited to work at the Circle, a sort of social network on steroids that consolidates its users’ various online identities (personal e-mail, social media, financial services), she’s thrilled at the company’s grand modernity and cutting-edge aesthetic. She delights in the Circle’s exuberance and the grand fetes it throws. But as her role in the company becomes increasingly public, she becomes increasingly wary of the Circle’s role in the lives of Americans. An encounter with Kalden, a shadowy figure who issues ominous pronouncements about the Circle’s contribution to a dystopia, further dampens Mae’s enthusiasm. Dion Graham provides inventive narration in this audio edition—capturing Mae’s breathless enthusiasm at landing the job. Graham also cleanly differentiates between characters, and provides them with simple but unique voices. Despite the longtime audio partnership between Graham and Eggers—the former read A Hologram for the King and A Heartbreaking Work of Staggering Genius—the narrator seems an odd choice for this title given its female protagonist. Graham has a deep, masculine voice—and at times it can be incongruous to hear him approximate the gasps and anxieties of a young woman. A Knopf hardcover.