Havisham

August 5, 2013
This stylish but dour “prelude” to Charles Dickens’s classic Great Expectations comes from Glaswegian dramatist and author Frame (The Lantern Bearers). Catherine Havisham grows up in privilege and leisure at the imposing Satis House, courtesy of her affluent father, Joseph, who runs the most prosperous brewery in North Kent and ships her off to the aristocratic Chadwyck family to polish her social graces. Joseph, a widower, sparks his teenage daughter’s resentment by disclosing he has remarried, though his second wife has since died, and Catherine also comes to loathe her ne’er-do-well half-brother, Arthur, after he begins living with them. She falls in love with the dashing racetrack gambler Charles Compeyson, and Joseph dies, leaving her the brewery. She becomes engaged to Charles, who wants to manage the Havisham brewery. However, Charles jilts his would-be bride, and Catherine’s life descends into seclusion and a slow madness; she wears only her wedding dress while living in the decaying mansion. After adopting a young girl, Estella, Catherine ages into the cynical spinster depicted in Great Expectations. Frame offers a convincing recreation of the iconic Dickens character, but his tale suffers from centering on such an unappealing protagonist. Agent: Adrian Searle, Freight Books.

September 15, 2013
Frame (The Lantern Bearers, 2001, etc.) writes the story of Catherine Havisham, recluse of Satis House, in this prelude to Charles Dickens' Great Expectations. Despite her mother's death in childbirth, the Great Expectations of Miss Havisham come naturally. Her father, owner of a prosperous brewery, spoils her beyond measure. Then, as Catherine matures, he dispatches her to Durley Chase, home of Lady Chadwyck and her children Isabella, William, Marianna and cousin Frederick. The Chadwycks are to add the social polish necessary for Catherine to marry well. There, Catherine has eyes for William but soon learns that titled folk do not marry merchants' daughters. She then meets Charles Compeyson, charming, enigmatic, vaguely roguish. Class prejudices aside, the Chadwycks attempt to dissuade Catherine from Compeyson, but she is enthralled, even ignoring Chadwyck cousin Frederick, thinking him overly religious, awkward and unambitious despite his shy admiration for her. Then her father dies. Catherine allows Compeyson to run the brewery. He soon proposes then leaves her at the altar. Frame's chapters are short, written from Catherine's point of view, and laced with elements of classical poetry and song. Aeneas, Tom O'Bedlam and Henry Purcell deepen a narrative appealing to the modern ear yet suitably Dickensian. Subplots follow Sally, a village girl who becomes Catherine's childhood companion, and Arthur, Catherine's wastrel half brother. The book ripples with social commentary, an example being Catherine's attempt to manage the brewery only to be stymied by gender prejudice and her own obstinacy. Finally, she closes the brewery. Catherine then adopts Estella, intending revenge on the masculine world--"all of the genus who conceitedly, smugly supposed that they were indispensable to a woman's personal completeness, her felicity." Minor characters, Pip included, strengthen the story, and Frame's presentation of the era is substantial but not overdone. Young Catherine's character earns little empathy, and any sympathy for the recluse of Satis House certain that "true life is too awesome and terrifying to bear" can only be conjured up as her death looms. An intelligently imagined Dickens prequel.

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