American Wife
A Novel
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کتاب های مرتبط
- اطلاعات
- نقد و بررسی
- دیدگاه کاربران
نقد و بررسی
It's hard to picture anyone but George and Laura Bush in Charlie and Alice, but if listeners can get past the "eeuw" factor, Sittenfeld writes an absorbing account of a liberal, thoughtful young woman who falls for a privileged, charismatic buffoon. Kimberly Farr's voice is cultured and charming as Alice Lindgren tells of her journey from well-read Wisconsin high school girl to school librarian to the out-of-place young woman Charlie Blackwell takes home, and, finally, to wife, mother, and first lady. Farr adds sharp humor to Alice's vision of the smug and self-congratulatory Blackwells, and her dialogue sequences are realistic, funny, and uncomfortably accurate. The story slips off track when Sittenfeld strays too far from fiction. Then, even with Farr's superb reading, the insider insights just feel creepy. S.J.H. (c) AudioFile 2008, Portland, Maine
July 7, 2008
Sittenfeld tracks, in her uneven third novel, the life of bookish, naïve Alice Lindgren and the trajectory that lands her in the White House as first lady. Charlie Blackwell, her boyishly charming rake of a husband, whose background of Ivy League privilege, penchant for booze and partying, contempt for the news and habit of making flubs when speaking off the cuff, bears more than a passing resemblance to the current president (though the Blackwells hail from Wisconsin, not Texas). Sittenfeld shines early in her portrayal of Alice's coming-of-age in Riley, Wis., living with her parents and her mildly eccentric grandmother. A car accident in her teens results in the death of her first crush, which haunts Alice even as she later falls for Charlie and becomes overwhelmed by his family's private summer compound and exclusive country club membership. Once the author leaves the realm of pure fiction, however, and has the first couple deal with his being ostracized as a president who favors an increasingly unpopular war, the book quickly loses its panache and sputters to a weak conclusion that doesn't live up to the fine storytelling that precedes it.
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