The Guernsey Literary and Potato Peel Pie Society

Starred review from September 29, 2008
Shaffer's debut novel, written with her niece Barrow, is an original account of one writer's relationship with a member of a unique book club formed as an alibi to protect its members from arrest at the hands of the Nazis during WWII. With a small cast of gifted narrators including Paul Boehmer, Susan Duerdan, John Lee, Rosalyn Landor and the enjoyable Juliet Mills, this production is first-class from top to bottom. The narrators' British dialects, each quite regional and equally as different as they are ear-pleasing, serve the story well and allow Shaffer's words to leap from the page into the hearts and minds of her listeners. The final result is an almost theatrical experience with a plethora of enthusiastic performances. A Dial Press hardcover (Reviews, Apr. 21).

April 21, 2008
The letters comprising this small charming novel begin in 1946, when single, 30-something author Juliet Ashton (nom de plume “Izzy Bickerstaff”) writes to her publisher to say she is tired of covering the sunny side of war and its aftermath. When Guernsey farmer Dawsey Adams finds Juliet's name in a used book and invites articulate—and not-so-articulate—neighbors to write Juliet with their stories, the book's epistolary circle widens, putting Juliet back in the path of war stories. The occasionally contrived letters jump from incident to incident—including the formation of the Guernsey Literary and Potato Peel Pie Society while Guernsey was under German occupation—and person to person in a manner that feels disjointed. But Juliet's quips are so clever, the Guernsey inhabitants so enchanting and the small acts of heroism so vivid and moving that one forgives the authors (Shaffer died earlier this year) for not being able to settle on a single person or plot. Juliet finds in the letters not just inspiration for her next work, but also for her life—as will readers.

Starred review from July 15, 2008
In January 1946, London is beginning to recover from World War II, and Juliet Ashton is looking for a subject for her next book. She spent the war years writing a column for the "Times" until her own dear flat became a victim of a German bomb. While sifting through the rubble and reconstructing her life, she receives a letter from a man on Guernsey, the British island occupied by the Germans. He'd found her name on the flyleaf of a book by Charles Lamb and was writing to ask if she knew of any other books by the author. So begins a correspondence that draws Juliet into the community of Guernsey and the members of the Literary and Potato Peel Pie Society. Named to protect its members from arrest by the Germans, the society shares their unique love of literature and life with a newfound friend. Seeing this as the subject of her next book, Juliet sails to Guernseya voyage that will change her life. Reminiscent of Helene Hanff's "84 Charing Cross Road", this is a warm, funny, tender, and thoroughly entertaining celebration of the power of the written word. This marvelous debut novel, sure to have book club appeal, is highly recommended for all collections. [See Prepub Alert, "LJ" 4/1/08.]Susan Clifford Braun, Aerospace Corp., El Segundo, CA

Copyright 2008 Library Journal, LLC Used with permission.

July 1, 2008
Winding up her book tour promoting her collection of lighthearted wartime newspaper columns, Juliet Ashton casts about for a more serious project. Opportunity comes in the form of a letter she receives from Mr. Dawsey Adams, who happens to possess a book that Julia once owned. Adams is a member of the Guernsey Literary and Potato Peel Pie Societyno ordinary book club. Rather, it was formed as a ruse and became a way for people to get together without raising the suspicions of Guernseys Nazi occupiers. Written in the form of letters (a lost art), this novel by an aunt-and-niece team has loads of charm, especially as long as Juliet is still in London corresponding with the society members. Some of the air goes out of the book when she gets to Guernsey; the humorous tone doesnt quite mesh with what the islanders suffered. But readers should enjoy this literary souffl' for the most part, and curiosity about the German occupation of the British Channel Islands will be piqued.(Reprinted with permission of Booklist, copyright 2008, American Library Association.)