The Reader

If the best books remain with us long after they have returned to the shelf, then THE READER can take a place among the greats. Campbell Scott, whose perfect pacing and gentle voice animate the simple, engrossing prose, performs this recording beautifully. Michael Berg is a teenager in post-WWII Europe when he meets Hanna, and the two of them begin an affair despite the significant difference in their ages. Years after the relationship ends, they meet again in the most haunting of ways, and the secrets that emerge raise questions about pride, forgiveness, and redemption. Scott's deft reading captures the story's complexity without lapsing into melodrama, and his eloquence with the spoken word complements Schlink's gentle touch with the written one. L.B.F. (c) AudioFile 2009, Portland, Maine

June 2, 1997
Another in the spate of soul-searching post-Holocaust German novels that have made their way here, this elegant if derivative triptych chronicles the relationship of narrator Michael Berg, a young bourgeois man who becomes a legal historian, with working-class Hanna Schmitz, 20 years his senior and (as it turns out) a former SS officer. They meet in the 1950s, when he is 15: she rescues him when he falls ill in the street from the effects of hepatitis. His thank-you visit results in months of trysts; the lovers develop a routine that involves Michael reading aloud from the German classics. Part Two opens at Hanna's trial 10 years later for war crimes: assigned by chance to observe the trial, Michael continues his strange role as her reader, sending her tapes in prison until, in Part Three, the two finally, and tragically, meet again. Some readers may object to Schlink's insistently withheld moral judgments: he never treats Hanna as just a villain. Yet this well-translated novel indisputably offers a philosophical look at the "numbness" that settled over German culture during the war and that (Schlink seems to say) infects it to this day.

January 26, 2009
When Michael Berg began attending the Nazi war trials as part of a college class, he never expected to find Hanna—an older woman who had seduced him when he was a teenager—as one of the accused. Berg is himself paralyzed by a moral dilemma that may free her, but also destroy her. Schlink uses this intriguing and complex relationship to engage issues of identity, ego and freedom of choice that are emphasized within the backdrop of the Holocaust. Campbell Scott proves an excellent narrator, with an eloquent and precise tone that gives a reflective distance to this first-person account, emphasizing the Berg's evolution as he grows from youth into adult. Scott's deliberate delivery also emphasizes Berg's emerging maturity; initially, his deliberateness hints at insecurity while later on, Scott's steady reading indicates experience. A Vintage paperback.