Kafka On The Shore

The art of audio narration has rarely been better served than in Haruki Murakami's brilliant tale featuring two seekers of truth. Sean Barrett and Oliver Le Sueur recount the odysseys of Nakata, an old man who was left simpleminded (but able to speak with cats) by a mysterious WWII event, and Kafka Tamura, a stoic, self-disciplined 15-year-old who runs away from home to escape an Oedipal prophecy. Barrett and Le Sueur turn in superb performances. Their rich characterizations keep this blend of the real and surreal totally engrossing. Philip Gabriel's excellent translation offers a contemporary feel to Murakami's lyrical language and magical incidents. Additional kudos must go to Naxos AudioBooks for gorgeous packaging, including an enclosure listing the entire cast with bios. This is must listening. S.J.H. Winner of AudioFile Earphones Award (c) AudioFile 2006, Portland, Maine

Starred review from December 6, 2004
Previous books such as The Wind-Up Bird Chronicle
and Norwegian Wood
have established Murakami as a true original, a fearless writer possessed of a wildly uninhibited imagination and a legion of fiercely devoted fans. In this latest addition to the author's incomparable oeuvre, 15-year-old Kafka Tamura runs away from home, both to escape his father's oedipal prophecy and to find his long-lost mother and sister. As Kafka flees, so too does Nakata, an elderly simpleton whose quiet life has been upset by a gruesome murder. (A wonderfully endearing character, Nakata has never recovered from the effects of a mysterious World War II incident that left him unable to read or comprehend much, but did give him the power to speak with cats.) What follows is a kind of double odyssey, as Kafka and Nakata are drawn inexorably along their separate but somehow linked paths, groping to understand the roles fate has in store for them. Murakami likes to blur the boundary between the real and the surreal—we are treated to such oddities as fish raining from the sky; a forest-dwelling pair of Imperial Army soldiers who haven't aged since WWII; and a hilarious cameo by fried chicken king Colonel Sanders—but he also writes touchingly about love, loneliness and friendship. Occasionally, the writing drifts too far into metaphysical musings—mind-bending talk of parallel worlds, events occurring outside of time—and things swirl a bit at the end as the author tries, perhaps too hard, to make sense of things. But by this point, his readers, like his characters, will go just about anywhere Murakami wants them to, whether they "get" it or not. Agent, Amanda Urban at ICM. 60,000 first printing.