Everything Beautiful Is Not Ruined

Everything Beautiful Is Not Ruined
افزودن به بوکمارک اشتراک گذاری 0 دیدگاه کاربران 4 (1)

مشارکت: عنوان و توضیح کوتاه هر کتاب را ترجمه کنید این ترجمه بعد از تایید با نام شما در سایت نمایش داده خواهد شد.
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فرمت کتاب

ebook

تاریخ انتشار

2017

Lexile Score

810

Reading Level

3-4

نویسنده

Danielle Younge-Ullman

شابک

9780425288092
  • اطلاعات
  • نقد و بررسی
  • دیدگاه کاربران
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نقد و بررسی

Kirkus

November 1, 2016
On a three-week wilderness adventure in Northern Ontario arranged by her mother, Ingrid is tested in unexpected ways.Utterly surprised when the camping trip turns out not to be cabins and day hikes but rugged hiking and canoeing, Ingrid is nonetheless determined to find her "inner Nature Girl" and prove that she's mature enough to spend her senior year at school in London, England. Ingrid punctuates her first-person narrative of the three weeks with journal entries in the form of letters to her mother, in which she sarcastically recounts the daily annoyances of the "shit hole" she finds herself in. The present-day account is interspersed with past-tense chapters detailing a childhood spent traveling around Europe with her mother, a world-famous opera star who stopped performing when Ingrid was 11. The two parts of her life seem strangely juxtaposed, but as Ingrid reflects on what brought her to this moment--the adjustment to public school in Toronto, the bullying, the message from her mother that she had no musical talent, as well as hints of some deeper emotional events--she begins to recognize the strength of character and leadership qualities that lie within her. With just three characters explicitly of color, Ingrid and the novel default to white. Younge-Ullman's subtle approach to narrative pacing allows readers to accompany Ingrid on her journey to fully confront and accept her past as she discovers her own true voice. (Fiction. 13-17)

COPYRIGHT(2016) Kirkus Reviews, ALL RIGHTS RESERVED.



School Library Journal

January 1, 2017

Gr 8 Up-Setting a coming-of-age story in the framework of an unwelcome wilderness expedition is a bit of a tired conceit, but in Younge-Ullman's outstanding YA novel, a teen's backwoods journey becomes exciting and emotionally engrossing. Ingrid has had an unorthodox upbringing with a single opera star mother who suffers a devastating career loss. After Mom is forced to settle into a more traditional job and life, she is almost completely derailed by deep depression. As part of a mother-daughter deal to find a healthy future for both, Ingrid is sent on a youth wilderness trip. Mostly set in the northern Ontario wilderness, the novel alternates between the "now" of the 21-day trek and the "then" of Ingrid's turbulent adjustment to settled life. Ingrid's never-sent letters to her mother appear throughout the narrative and detail her physical and emotional struggles through attacks of vampirelike mosquitoes and black flies, grueling portages, and much more challenging experiences, including an attempted sexual assault. And while the settings are vividly realized, it's the author's characterization skills that bring this narrative to life. The realistic ending makes it clear that Ingrid will overcome her difficulties and that healing is a journey and not a destination. VERDICT This compelling tale of loss and self-discovery is recommended for most libraries serving teens ages 13-plus.-Susan Riley, Mamaroneck Public Library, NY

Copyright 2017 School Library Journal, LLC Used with permission.



Booklist

December 1, 2016
Grades 9-12 Ingrid used to travel all over Europe and watch her vivacious opera-star mother, Margot-Sophia, headline shows and dazzle audiences. So why, at 17, is she now at a wilderness camp for at-risk teens, in the middle of nowhere, just trying to keep herself warm and dry? After surgery on her vocal cords forces Margot-Sophia to leave her opera career behind, she turns her back on music completely, despite Ingrid's attempts to draw her back to singing. When Ingrid gets the lead in her school's musical, their already fraught relationship almost breaks, as Ingrid is treading in artistic waters that Margot-Sophia has chosen to leave behind. Younge-Ullman's expert pacing and narrative style of alternating perspectives between Ingrid's younger self and present-day diary entries guide readers to understanding, along with Ingrid, that rather than being at the wilderness camp to prove something to her mother, she is there for herself. Ultimately a book about complicated family relationships and depression, this will speak to fans of Sarah Dessen.(Reprinted with permission of Booklist, copyright 2016, American Library Association.)




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