Dead Upon a Time

Dead Upon a Time
افزودن به بوکمارک اشتراک گذاری 0 دیدگاه کاربران 4 (1)

مشارکت: عنوان و توضیح کوتاه هر کتاب را ترجمه کنید این ترجمه بعد از تایید با نام شما در سایت نمایش داده خواهد شد.
iran گزارش تخلف

فرمت کتاب

ebook

تاریخ انتشار

2015

Reading Level

4

ATOS

5.3

Interest Level

6-12(MG+)

نویسنده

Elizabeth Paulson

ناشر

Scholastic Inc.

شابک

9780545640473
  • اطلاعات
  • نقد و بررسی
  • دیدگاه کاربران
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نقد و بررسی

DOGO Books
kathead - This book was amazing. It is told in the eyes of a young girl, from a old fairy tale that you might know, and she has to seek help from a boy that hides in the woods when her grandmother is taken. Every character in this story has a background and the name of different fairy tales and they are all pulled together at the end. I definitely recommended this book to anyone who liked twisted fairy tales or who wants to know their after ever after story.

Kirkus

June 1, 2015
A mishmash of fairy-tale influences and images underlies this debut. Kate Hood has only an old grandmother, and they live together in the woods. When wolves set upon her as she carries groceries home from the village and she finds their cottage empty, she flees to Jack Haricot (exiled after that thing with the giant). Nan left a series of tapestries depicting imprisoned young women-one with a shorn head, another surrounded by poisoned apples, and a third locked in a hot cell with her twin brother. Sadly, these characters are mostly neither named nor seen for more than a few minutes in Kate's visions. Kate and Jack, meanwhile, are summoned to the king and told to rescue the princess, who has been (nonsensically) kidnapped; they set off, fall in love, and save the day. As in the fairy tales that give this some structure, the world is thinly sketched at best, characters are representations, and action occurs because the plot dictates it. The writing is clumsy, overt and unsubtle, with some full-on malapropisms ("clairvoyant lungs"), and the tone is anachronistic (rented rooms and tin cans side by side with a pastoral, industry-free society) and dated at the same time (Kate refers to schooling Jack in "the cautious listening of women"). Fairy-tale retellings grow like briar hedges; there's no reason to read this one when so many better efforts exist. (Fantasy. 12-14)

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