Perfect

July 4, 2011
Hopkins sticks to the signature style that has made her books bestsellers, blending verse poetry with controversial topics. In her eighth novel, four teenage protagonists alternately narrate their struggles with perfection. Sean and Kendra's struggles are physicalâhe's a baseball player who turns to steroids, and she's an aspiring model who develops a severe eating disorder ("Real control is/ not putting in more than you can work off.... Shaving off every caloric unit you can/ without passing out"). Cara and Andre's issues are more about identity (Cara is an all-American girl realizing she is a lesbian, while Andre is under parental pressure to pursue a lucrative, ambitious career path and is afraid to admit his passion for dance). This is a sequel, of sorts, as Cara's twin, Conner, a protagonist in Hopkins's suicide-themed book, Impulse, makes an appearance. There is an overabundance of plot points, as readers learn about Sean's dead parents, Kendra's racist father, a vicious attack on Kendra's sister, and more. But Hopkins explores enough hot-button issues (rape, teen plastic surgery, cyberharassment, etc.) to intrigue her fans and recruit new ones. Ages 14âup.

Hopkins, who is known for writing novels in free verse that tackle tough issues like drug use and homelessness, explores the struggle for perfection and the damage it can do. Four actors introduce the characters with the ennui of typical teens describing how their lives fail to meet parental or societal expectations. As the story unfolds, each narrator bares the soul of his or her character; none falls short of excellent in doing so. Since this is a spoken performance, minor distinctions in delivery, such as odd pacing at line breaks, indicate the print is in free verse. Only Tristan Wilds, as Andre, consistently stresses the title of each poem. Usually with an ensemble cast, one voice falls short but not this time. The title says it all. M.M.O. Winner of AudioFile Earphones Award © AudioFile 2012, Portland, Maine