Spanking Shakespeare

Shakespeare Shapiro's life has been one catastrophe after another, all stemming from the fact that his parents saddled him with that ridiculous name. To add insult to injury, his younger brother, Ghandi, is more socially adept than he is. Shakespeare's school, Hemingway High, requires seniors to write a memoir. So Jake Wizner's SPANKING SHAKESPEARE alternates between its protagonist's past and the events of his senior year. In a print book, there are techniques to let readers know if they're reading about the past or the present. But Mike Chamberlain's delivery does not vary, so the listener isn't always able to differentiate between Shakespeare's memoir and his current life. Be prepared for plenty of sexual fantasies, "F-bombs," and other bleep-able language. After all, Shakespeare is a 17-year-old boy with a VERY healthy imagination. N.E.M. (c) AudioFile 2008, Portland, Maine

Starred review from September 24, 2007
This bold and bawdy first novel introduces Shakespeare Shapiro, whose very name seems to destine him for a life of farce (that his parents offer changing but invariably embarrassing explanations for his whacko moniker merely compounds matters). Now that he's taking the memoir-writing class required of all seniors at Ernest Hemingway High, he seizes the chance to frame his life as a darkly comedic series of humiliations, from being born on Hitler's birthday (“Whenever I did anything wrong, my father would call me Adolf”) to his father's blackmail techniques (“I'm about ten seconds away from telling you things that will haunt you for the rest of your life,” his father cheerfully threatens an 11-year-old Shakespeare) to his misadventures in masturbating. Wizner knows just how to set up his outrageous jokes and how far to push most (not all) of them; and nothing seems off-limits, neither religion nor sex nor bowel movements. This author demonstrates an equally sure approach to sober themes: as his memoir assignments win him increasing respect and interest from his classmates, Shakespeare slowly realizes that the role of comic victim is one he has chosen in order to avoid challenging himself. Exceptionally funny and smart. Ages 14-up.