The Language of Secrets

Screenwriter Dianne Dixon's first undertaking as a novelist is a convoluted story of families broken by secrets. Rebecca Lowman narrates the story in a detached voice that does nothing to bring the characters to life. As Justin moves back to California to reconnect with the family he was removed from, the story also flashes back to Justin's mother's earlier years, focusing on the mistakes she made that eventually led to the loss of her child. Part of the problem is the story itself--too many threads, too many unappealing characters, and too many poorly written sentences. But the narration exacerbates the problems. Lowman's uninspired delivery makes it difficult for the listener to keep track of time, place, and characters. An intriguing premise is poorly executed on all sides. N.E.M. (c) AudioFile 2010, Portland, Maine

December 7, 2009
A story of mystery, betrayal, and family tragedy, Dixon's debut novel, despite its creative story line, falls short in execution. After living in London for a decade, 33-year-old Justin Fisher returns to Southern California with his wife and young son to reconnect with the family he hasn't spoken to in years. The rub: he can't remember much of his childhood, or even why he's kept himself at such a distance. Soon after arriving, he learns his parents are dead, and upon visiting their graves, he discovers a tombstone with his name on it indicating he died at age four. As Justin searches his foggy memories for the truth about his past, the narrative skips back in time to fill in the holes with the tale of Justin's mother and how her relationship with three men in college dictates her future. Though there's a payoff in the surprise ending, the plot is painfully overeventful—Justin's mother's story often reads like outtakes from a soap opera—and Dixon's prose struggles to carry the narrative .