Too Much Money

Too Much Money
افزودن به بوکمارک اشتراک گذاری 0 دیدگاه کاربران 3 (1)

A Novel

مشارکت: عنوان و توضیح کوتاه هر کتاب را ترجمه کنید این ترجمه بعد از تایید با نام شما در سایت نمایش داده خواهد شد.
iran گزارش تخلف

فرمت کتاب

audiobook

تاریخ انتشار

2009

نویسنده

Nicholas Hormann

شابک

9780307712325
  • اطلاعات
  • نقد و بررسی
  • دیدگاه کاربران
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نقد و بررسی

AudioFile Magazine
Dominick Dunne, who died in 2009, offers another indictment of the excesses of self-indulgent, name-dropping socialites. New York society insiders will see through Dunne's thinly disguised characterizations in this sequel to PEOPLE LIKE US (1988). Dunne's fictional alter ego, society reporter Gus Bailey, tells his story. Bailey's battling a lawsuit, and he's been contracted to write a novel based on the suspicious death of Perla Zacharias's billionaire husband. Perla, a vicious, social-climbing villainess, doesn't want the book published. Ann Marie Lee's narration is serviceable, bringing upper-crust charm to her characterizations. However, Dunne's incisive wit and sarcasm get lost in her sweet voice. Not as much fun as earlier books, but worth a listen. S.J.H. (c) AudioFile 2010, Portland, Maine

Publisher's Weekly

December 14, 2009
For every striver who claws his way to the top of the moneyed heap, another must fall from grace to make room; in the work of late novelist and journalist Dunne (1925-2009), those falls are usually preceded by a vigorous shove. In his final novel, the players include grande dame Lil Altemus, banking heiress (and suspected murderess) Perla Zacharias, and flight attendant-turned-jetsetter Ruby Renthal, alongside journalist Gus Bailey (Dunne's minimally-fictionalized surrogate). A sequel to 1988's People Like Us based on Dunne's real-life experiences as a society crime writer, Dunne brings an expected level of intimacy to his unflattering look at New York's wealthiest citizens, incorporating his own spectacular Hollywood fall from grace and subsequent comeback, as well as his legal standoff with a congressman whom Dunne implicated in the disappearance of intern Chandra Levy. A fitting cap to Dunne's notable career, this novel is more parody than satire-populated by jeer-worthy caricatures hard to sympathize with-but proves to be a compulsively readable diversion, showcasing Dunne's razor wit and furious disdain for those who believe that laws apply to everyone but themselves.




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