Foreign Gods, Inc.

Starred review from October 21, 2013
In Nigerian-born Ndibe's (Arrows of Rain) new novel, Ikechukwu "Ike" Uzondu is a hapless N.Y.C. taxi driver stymied at every turnâhis rent is past due, his Amherst education means less to potential employers than his accent, his green-card marriage has more than its share of baggage, and his fares always mispronounce his name (that's "Ee-kay"). Desperate to keep his head above water in a country that only accepts him as a caricature, Ike decides to travel back to his village in Nigeria, steal his village's ancestral war idol, and sell it to an unscrupulous dealer in tribal antiques. Many novels would merely use this premise as an excuse for madcap postcolonial allegory, but the theft turns out to be the setup for the novel's centerpiece: Ike's return to the village of Utonki, where he finds his family torn between a maniacal Christian pastor and the traditional worshippers of Ngene, the god Ike has resolved to pillage. Neither fable nor melodrama, nor what's crudely niched as "world literature," the novel traces the story of a painstakingly-crafted protagonist and his community caught up in the inescapable allure of success defined in Western terms.

Starred review from November 15, 2013
A Nigerian living in America has a moneymaking scheme--to return to his native village, steal the statue of a war god and sell it to a tony New York dealer who deals in such deities. Ikechukwu Uzondu (or Ike for short) has high expectations. Although he's a cum laude graduate of Amherst with a degree in economics, he's working as a New York cabbie because his accent won't get him in the door at a Wall Street firm. Recently divorced and hounded by creditors, Ike talks to Mark Gruels, owner of a gallery called Foreign Gods, Inc. that traffics in Asian and African statues of gods--and well-heeled collectors are willing to part with hundreds of thousands of dollars for the best specimens. Ike borrows some money from a friend to purchase a ticket back to his home village of Utonki and carefully lays the groundwork for stealing a statue of Ngene, the village war god still worshiped by Ike's uncle Osuakwu. Meanwhile, Ike's mother has come under the spell of Pastor Uka, a stern Protestant who sees Ngene worship as inspired by Satan. Not so coincidentally, the pastor believes that any person returning to the village from America must be rich, so he's looking to Ike to "sow" a considerable sum for a new chapel. Caught between his overly pious and gullible mother on one hand and his "heathen" uncle on the other, Ike eventually steals the statue but still must smuggle it through Nigerian customs, a task made somewhat easier by corrupt customs officials willing to look the other way, but when he returns to New York, he finds the market for African deities has gone colder than he had expected. Ndibe writes of culture clash in a moving way that makes Ike's march toward disaster inexorable and ineffably sad.

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November 1, 2013

Ikechukwu Uzondu, a Nigerian cabbie working in Manhattan, is addicted to gambling and alcohol, with a hefty dose of self-pity thrown in. Though he holds a degree in economics from Amherst College, we're asked to believe that it's only his accent that keeps him from landing acceptable employment. Ike ignores bills and avoids the plaintive emails from his sister back in the village of Utonki. Since his ill-considered marriage imploded, Ike has been unable to send funds home, leaving him feeling guilty and angry. But he has a scheme. He'll steal the statue of Ngene, a warrior god that has protected his people in Utonki for hundreds of years, and sell it to the officious Mark Gruels, curator of Foreign Gods, Inc., a gallery that caters to wealthy collectors who will pay small fortunes to display their liberal tastes. Not until Ike's week back in Nigeria, where he tussles with corrupt customs officers, battles a hypocritical missionary for his mother's soul, and visits a school friend whose gauche mansion was built with dirty money, does the author's biting humor surface, but it's more bitter than sweet. VERDICT Ndibe (Arrows of Rain) offers a jaundiced view of the immigrant experience in Ike, who won't assimilate to his adopted country but can't return home either. Ike's overwhelming sense of loss and alienation results in a bleak portrait of a broken man. A difficult read indeed.--Sally Bissell, Lee Cty. Lib. Syst., Fort Myers, FL

Copyright 2013 Library Journal, LLC Used with permission.

December 1, 2013
Ike, a Nigerian immigrant, hasn't been able to make it in America. Driving a taxi, divorced, and broke, he continues to look for an angle and thinks he may have found it in an article about an art gallery that buys icons of foreign deities. He returns to his village in Nigeria in search of art but finds his family caught up on both sides of a religious war between Christianity and native beliefs revolving around the god Ngene. This is a heist story unlike any other, and at the center of it is a web of family obligations, cultural history, and greed. The self-destructive Ike, palpably conflicted and ready to place the blame for his lot anywhere but on himself, is a compelling character who attempts to come home again. Novelist Ndibe unfurls his rich narrative gradually, allowing room for plenty of character interaction while painting a revealing portrait of contemporary Nigeria. With piercing psychological insight and biting commentary on the challenges faced by immigrants, the novel is as full-blooded and fierce as the war deity who drives the story.(Reprinted with permission of Booklist, copyright 2013, American Library Association.)