Small Town

Here is one of those fairly rare cases in which an author's voice marvelously fits the story and characters of his own book. Not all authors can read well--slowly and lucidly--but Block does. He has a flat middle-American voice even though virtually everything he writes is set in New York City. He slightly alters his tone, and the characters stand out as individuals, instantly recognizable once introduced. The story here is a simple framework of a man driven mad by the events of 9/11 who becomes a clever serial killer and mass murderer. On this framework Block hangs a myriad of sex scenes, spending more time on those than on the plot. Typically Block. D.R.W. (c) AudioFile 2003, Portland, Maine

January 20, 2003
This is a rare standalone from the Edgar Award–winning creator of Matt Scudder, Bernie Rhodenbarr, hit man Keller and others, and takes a number of risks unusual for its author. For a start, it is very deliberately a post–9/11 thriller, in which a man bereaved by the loss of his wife and children in the Twin Towers sets out to wreak what he thinks of as a sacrificial vengeance on the city by becoming a serial terrorist himself. For another, Block, who wrote some pornography early in his career, has created a female character whose kinky sex antics will definitely ruffle some of his mainstream readers. And while an intimate knowledge of New York and its folkways, and of urban character and conversation, has always been one of Block's great strengths, and is on plentiful show again here, his rather improbable action climax seems carelessly tacked on to the meticulous rest of the book. The novel offers a very crowded canvas whose central characters are the sad figure of the terrorist himself; a former police commissioner who eventually sets out to bring him down; a midlist writer who suddenly gets to be a hot property when he's accused of a murder (the publishing scenes will be delightful for insiders); the aforementioned kinky lady, an art dealer when not playing pierced dominatrix; a gay recovering alcoholic who unwittingly leads the villain to the scenes of his crimes; and, of course, the city itself, which, as the title suggests, is a place where everyone is somehow connected to everyone else's business. It's a bold and flashy effort, but its deliberately disturbing elements may somewhat limit its appeal. Major ad/promo; simultaneous audio; 15-city author tour.(Jan. 21)Forecast:With movies coming up of both
Hit Man and
A Walk Among the Tombstones, this will be a Block year; but it remains to be seen whether readers are ready for a 9/11–inspired terrorist killer.

The title city is New York. Shortly after 9/11. An otherwise miscellaneous group of New Yorkers acquires two characters in common--a kinky and promiscuous gallery owner and an elusive maniac who is avenging the Twin Towers tragedy by murdering assorted Manhattanites. The book features graphic sex and gruesome mayhem, witty humor, vividly drawn (albeit cardboard) characters, and numerous digressive musings. George Guidall does his wonted fine job with this fare. He keeps the narrative enthralling even where the author flags. While many narrators sound embarrassed doing detailed passages of erotic encounters, especially when, as here, they're described in Anglo-Saxonisms, Guidall serves them up without a wink. If, however, they're supposed to be arousing, our narrator has not made them so. He errs further in the postcoital love scenes between the perverse lady and the writer she loves, which sound trite. But they're written that way. Y.R. (c) AudioFile 2003, Portland, Maine

October 15, 2002
Block temporarily abandons Matthew Scudder for a standalone thriller set in New York City after the collapse of the World Trade Center towers. Central to the tale is a mass murderer with an agenda. Watch for the 15-city author tour.

Copyright 2002 Library Journal, LLC Used with permission.