An Object of Beauty

September 27, 2010
Martin compresses the wild and crazy end of the millennium and finds in this piercing novel a sardonic morality tale. Lacey Yeager is an ambitious young art dealer who uses everything at her disposal to advance in the world of the high-end art trade in New York City. After cutting her teeth at Sotheby's, she manipulates her way up through Barton Talley's gallery of "Very Expensive Paintings," sleeping with patrons, and dodging and indulging in questionable deals, possible felonies, and general skeeviness until she opens her own gallery in Chelsea. Narrated by Lacey's journalist friend, Daniel Franks, whose droll voice is a remarkable stand-in for Martin's own, the world is ordered and knowable, blindly barreling onward until 9/11. And while Lacey and the art she peddles survive, the wealth and prestige garnered by greed do not. Martin (an art collector himself) is an astute miniaturist as he exposes the sound and fury of the rarified Manhattan art world. If Shopgirl was about the absence of purpose, this book is about the absence of a moral compass, not just in the life of an adventuress but for an entire era.

This spare, focused book takes us back to the late 1990s, when art was a commodity for the very wealthy and a coin of the realm for admission to the upper class. It's a character study, a light mystery, and an entertaining look at a world that few people see up close. Campbell Scott is an inspired choice as narrator. His measured, understated tone captures the essence of the book, and he only slightly changes his for voice its characters. His leisurely pace draws our attention to the plot details and illuminates the author's asides about the art world. What's even more impressive, though, is that Scott actually sounds like Steve Martin. It's uncanny, and it works beautifully. R.I.G. (c) AudioFile 2010, Portland, Maine