Port Mortuary

December 20, 2010
Bestseller Cornwell's compelling 18th Kay Scarpetta novel (after The Scarpetta Factor), her strongest work in years, involves the chief medical examiner in a case that's both far-reaching in its national security implications and deeply personal. The story begins at the real Port Mortuary at Dover Air Force Base, where Scarpetta is assisting in developing techniques for virtual autopsies, then shifts back to her recently adopted home at Boston's Cambridge Forensic Center (CFC). A young man's mysterious death becomes even stranger after full-body scans reveal destruction so extensive it's as if a bomb went off inside his body. Scarpetta and husband Benton Wesley—along with her niece, Lucy Farinelli, and ex-cop turned CFC investigator Pete Marino—discover links not only to a government project with the ability to cause mass casualties but also to another grisly case currently under investigation. As Scarpetta's military past rears its head, the emotional damage the investigation of the cases is bound to wreak on Cornwell's steadfast heroine will leave readers eager for the next installment. Long-time fans will welcome the return after a decade to a first-person narration with direct access to Scarpetta's thoughts.

December 1, 2010

Quite a homecoming for Dr. Kay Scarpetta after her six months at Dover Air Force Base—a corpse back in Cambridge that seems to have been locked away in a mortuary still alive.

The man who died a block from Scarpetta's home in Norton's Woods is surrounded by mystery. No one knows his name, how he was killed, whether he died of natural causes or who installed the tiny audio receivers in his headphones and why. The most baffling mystery, however, is why, after collapsing and dying without shedding a drop of blood, he began to bleed hours after being placed in a drawer at the Cambridge Forensic Center. The answer to this riddle, which will plunge Scarpetta up to her elbows in another memorable postmortem investigation, will connect the unknown man to two other murder victims—a star college quarterback and a 6-year-old boy—and to three recent victims of roadside Afghanistan bombs whose memory she thought she'd left behind in Dover. And the connection, some wickedly cutting-edge work in robotics and nanotechnology, gives Scarpetta the chance to interrupt her ongoing quarrels with her posse—her anti-authority niece Lucy, her ex-profiler husband Benton Wesley, her investigator Pete Marino—and show how much she knows about absolutely everything.

"While this is a work of fiction, it is not science fiction," Cornwell announces in a preliminary note. Well, maybe. Though it has little feeling for its new characters and shows the regulars wallowing in complications instead of developing them, there's less of the fulsome self-mythologizing that drove The Scarpetta Factor (2009).

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December 1, 2010
Cornwell returns to formsomewhatafter the plodding Scarpetta Factor (2009). Told in the first person, the story finds Kay Scarpetta, now the chief medical examiner of the new Cambridge Forensic Center in Massachusetts, involved in a couple of cases: the mysterious sudden death of a man and the murder of a child (whose confessed killer seems to be innocent). Soon she begins to suspect the two cases are relatedjoined by a piece of high-tech hardware found in the first victims apartmentand before too long, she realizes shes facing what could be her most clever foe yet. For the first time in a while, Cornwell seems genuinely interested in Scarpetta again, giving the novel that spark of life that has made the series so enjoyable for its many fans. The book is still a long way from the glory days of Postmortem (1991) and From Potters Field (1995), but its definitely a step in the right direction. Series fans who have felt a bit let down of late will be pleased. HIGH-DEMAND BACKSTORY: Print, radio, television, in-person, billboards, Twitter, Facebook, iPhone appsabout the only thing Putnam isnt doing to promote Cornwells latest is a graffiti campaign.(Reprinted with permission of Booklist, copyright 2010, American Library Association.)