The Metropolis Case

November 1, 2010
In his ambitious debut, Gallaway jumps backward and forward in time between two cities, spiraling in on four characters connected by music: Lucien, an opera singer coming-of-age in mid-19th-century Paris; Anna, an opera singer reaching the height of her career in 1960s New York; Maria, an extraordinarily promising young singer but a difficult student; and Martin, an aging lawyer whose love of music might save his life. The ties between them are at first so tenuous that readers may wonder when, how, or if their narratives will converge. But Wagner's Tristan and Isolde touches each in some way, as does, eventually, eternal life, a device that allows Gallaway to chronicle 1860s Paris and 1960s New York through the eyes of one character. Gallaway, a former musician, gives music a literary presence, intertwining opera and punk by illuminating their shared passion and chaos. But ambition sometimes gives way to pretension (particularly with chapter titles such as "Fashion Is a Canon for this Dialect Also") and purple prose, but the story remains grounded by characters grappling with love, in some cases for eternity.