The Devil All the Time

It isn't just the poverty in rural Ohio and West Virginia that brings out the violent undertones in this book's protagonists--it's the history, the sadness, and the sense of duty and right. Whatever the cause, it falls to Arvin Russell, orphaned yet moral son of Appalachia, to at least try to set things right. Mark Bramhall captures every bit of the story's pervasive sorrow and hopelessness in his slow pacing and understated tone. While he takes the dialect a bit far at times, he also conveys the inner desperation of a female serial killer, her corrupt lawman brother, and some of their victims. As the final killing ends, we are left with a sense of justice, and despair. R.L.L. (c) AudioFile 2011, Portland, Maine

Starred review from May 2, 2011
If Pollock's powerful collection Knockemstiff was a punch to the jaw, his follow-up, a novel set in the violent soul-numbing towns of southern Ohio and West Virginia, feels closer to a mule's kick, and how he draws these folks and their inevitably hopeless lives without pity is what the kick's all about. Willard Russell is back from the war, on a Greyhound bus passing through Meade, Ohio, in 1945 when he falls for a pretty waitress in a coffee shop. Haunted by what he's seen in the Pacific and by the lovely Charlotte, he finds her again, marries her and has a son, Arvin. But happiness is elusive, and while Willard teaches his only son some serious survival skills ("You just got to pick the right time," he tells him about getting back at bullies. "They's a lot of no-good sonofabitches out there"), Charlotte sickens, Willard goes madâsacrificing animals and worse at his altar in the woodsâand Arvin's sent to his grandmother Emma in Coal Creek. Emma's also raising Leonora, the daughter of a timid religious mother who was murdered, possibly by her father, Roy, the visiting preacher at the Coal Creek Church of the Holy Ghost Sanctified, who along with his guitar-playing, crippled cousin, Theodore, in a wheelchair after drinking strychnine to prove his love for Jesus, has disappeared. And there's on-the-take sheriff Lee Bodecker, whose sister Sandy and her perverted serial killer husband, Carl Henderson, troll the interstates for male hitchhikers he refers to as "models." Pollock pulls them all together, the pace relentless, and just when it seems like no one can ever catch a break, a good guy does, but not in any predictable way.