One Summer

February 28, 2011
Legal thriller fixture Baldacci (Deliver Us from Evil) churns out a creaky, contrived family drama about Jack Armstrong, a terminally ill family man just praying to make it to Christmas. Sadness abounds, much more so when Jack's wife, Lizzie, is killed in a car wreck while on a medicine run. Plans are made by Jack's mean mother-in-law Bonnie: the three kids will get divided up among aunts and uncles across the country, and Jack will be put into hospice. Miraculously, Jack's health turns around, and he's able to reclaim his kids and move the brood from Ohio to the South Carolina shore where Lizzie grew up. There, he tries to reassemble the family and learn how to be a single parent, and just as they're beginning to settle into a functional family again, Bonnie sues for custody of the kids. Yes, it possesses all the subtlety of a dog fight, but it's also choked with pap ("No matter what you do, no matter how hard you fight, life sometimes just doesn't make sense") and so sappy you'd think Baldacci was earning a commission on each tear jerked.

Jack is terminally ill, ready to say good-bye to his family, when his wife dies in a car accident. Jack recovers his health, keeps the family together, and builds a new life. Ron McLarty performs with a slightly gruff voice, full of diverse accents and the emotions of a man who is coming to terms with life and his own survival. Orlagh Cassidy portrays the female characters in sultry tones as they support the men in their lives. Both narrators draw listeners into a story of love, family, and hope with seamless interchanges of dialogue. As Jack renovates the family home and lighthouse, the family pulls together. Together, McLarty and Cassidy set the cornerstone of this loving home. M.B.K. (c) AudioFile 2011, Portland, Maine