The Air We Breathe

Jeff Woodman once again draws upon his thespian experience in this narration, which showcases his performance ability. The central character is Leo, a Russian immigrant who develops tuberculosis and is shipped to a harsh treatment center in the Adirondack Mountains that resembles a prison more than a hospital. Woodman's Leo is an expertly crafted indi?vidual with an impressively accurate Russian accent that evokes his melancholic state upon entering the center. Despite the sheer number of immigrant characters in the story, each one receives his or her own accent and personality. Woodman no doubt took liberties with some of these, but the result is a wide variety of fascinating characters who create a memorable, almost cinematic, experience. L.B. Winner of AudioFile Earphones Award (c) AudioFile 2008, Portland, Maine

August 6, 2007
Picking up connected characters from her 1996 National Book Award–winning story collection Ship Fever
, the latest from Barrett follows her Pulitzer Prize finalist Servants of the Map
. In the fall of 1916, as the U.S. involvement in WWI looms, the Adirondack town of Tamarack Lake houses a public sanitarium and private “cure cottages” for TB patients. Gossip about roommate changes, nurse visits, cliques and romantic connections dominate relations among the sick—mostly poor European immigrants—when they're not on their porches taking their rest cure. Intrigue increases with the arrival of Leo Marburg, an attractive former chemist from Odessa who has spent his years in New York slaving away at a sugar refinery, and of Miles Fairchild, a pompous and wealthy cure cottage resident who decides to start a discussion group, despite his inability to understand many of his fellow patients. As in Joshua Ferris's recent Then We Came to the End
, Barrett narrates with a collective “we,” the voice of the crowd of convalescents. Details of New York tenements and of the sanitarium's regime are vivid and engrossing. The plot, which hinges on the coming of WWI, has a lock-step logic, but its transparency doesn't take away from the timeliness of its theme: how the tragedy, betrayal and heartbreak of war extend far beyond the battlefield.