
Lift Every Voice and Sing
کتاب های مرتبط
- اطلاعات
- نقد و بررسی
- دیدگاه کاربران
نقد و بررسی

January 2, 1995
From the title page, on which clouds part to show the face of a weeping black woman whose tears splash into the sea, Gilchrist's (Nathaniel Talking; Night on Neighborhood Street) colored pencil, gouache and watercolor art is as emotion-charged as the lyrics of what is widely considered the African American national anthem. African American children and adults in contemporary clothing are portrayed alongside Africans in traditional dress; they appear against dramatic, sometimes foreboding backgrounds featuring such dynamic forces of nature as a stormy sea, swirling wind and the glowing moon. Gilchrist imports political and religious images (white-sheeted figures burning a bleeding cross, children soaring into the heavens) to convey both the song's sadness ("Stony the road we trod,/ Bitter the chast'ning rod'') as well as its ultimate hope ("Out from the gloomy past./ Till now we stand at last/ Where the white gleam of our bright star is cast"). The lyrics, written by African American statesman and educator Johnson (1871-1938), are reprinted together with the music scored by his brother, J. Rosamond Johnson, at the conclusion of this heady volume. All ages.

February 1, 1993
Between the sober linocuts and the devotional text, this adaptation of what was once called the Negro National Anthem fairly effuses seriousness of purpose. Lyrics from a song written by two schoolteacher brothers in 1900 in honor of Abraham Lincoln's birthday caption prints created in 1946 and '47 by the granddaughter of slaves; the emphasis here is on suffering, deliverance and gratitude to God. A picture of the victim of a hanging, for example, faces ``We have come over a way that with tears has been watered / We have come, treading our path through the blood of the slaughtered.'' The score is provided at the end. Throughout, two-color art yields black-and-blue borders, while that blue, an almost turquoise tone, splashes through some of the linocuts. Much like ``The Star-Spangled Banner,'' the production of this anthem is big on reverence and short on spontaneity. All ages.
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