Criss Cross

Perkins's novel, a thoughtful, subtle character study in which paths cross in unexpected ways, is told through vignettes from mostly teen points of view. Perkins's humorous and poignant observations about Debbie, who wants something to happen, and Hector, who learns to play guitar, are compelling. Danielle Ferland remembers her own youth well or has hung out with teenagers recently. Her portrayal of their budding self-awareness bordering on self-consciousness is especially sharp, and she perfectly mimics the questions? teens ask when talking? in addition to their sarcastic downturns and flat tones. Ferland also easily navigates the potentially treacherous waters of Perkins's sometimes- experimental prose, which includes haiku, poetry, and Q & A formats. J.C.G. (c) AudioFile 2006, Portland, Maine

October 31, 2005
Through narrative that has the flavor of stream-of-consciousness writing but is more controlled and poetic, Perkins (All Alone in the Universe)
captures the wistful romantic yearnings of three friends on the brink of adolescence. There's Debbie, who makes a wish that "something different would happen. Something good. To me." There's Hector, who hears a guitarist and quite suddenly feels inspired to learn how to play the instrument. Then there's mechanical-minded Lenny who feels himself drawn to Debbie. The characters spend spring and summer wandering about their neighborhood, "criss crossing" paths, expanding their perspectives on the world while sensing that life will lead them to some exciting new experiences. (During a walk, Hector feels "as if the world was opening, like the roof of the Civic Arena when the sky was clear. Life was rearranging itself; bulging in places, fraying in spots.") Debbie forms a crush on a boy from California visiting his grandmother. Hector falls for a girl in his guitar class. Lenny hints at his feelings for Debbie by asking her on a date. All three loves remain unrequited, but by the end of the novel, Debbie, Hector and Lenny have grown a little wiser and still remain hopeful that good things lie ahead if they remain patient. Part love story, part coming-of-age tale, this book artfully expresses universal emotions of adolescence. Ages 10-up.

September 1, 2005
Gr 6-9 -The author of the popular "All Alone in the Universe" (HarperCollins, 1999) returns with another character study involving those moments that occur in everyone's life -moments when a decision is made that sends a person along one path instead of another. Debbie, who wishes that something would happen so she'll be a different person, and Hector, who feels he is -unfinished, - narrate most of the novel. Both are 14 years old. Hector is a fabulous character with a wry humor and an appealing sense of self-awareness. A secondary story involving Debbie's locket that goes missing in the beginning of the tale and is passed around by a number of characters emphasizes the theme of the book. The descriptive, measured writing includes poems, prose, haiku, and question-and-answer formats. There is a great deal of humor in this gentle story about a group of childhood friends facing the crossroads of life and how they wish to live it. Young teens will certainly relate to the self-consciousnesses and uncertainty of all of the characters, each of whom is straining toward clarity and awareness. The book is profusely illustrated with Perkins's amusing drawings and some photographs." -B. Allison Gray, John Jermain Library, Sag Harbor, NY"

Copyright 2005 School Library Journal, LLC Used with permission.

Starred review from October 15, 2005
Gr. 6-9. This lyrical sequel to " All Alone in "the Universe (1999), a " Booklist "Editor's Choice, begins with one of many black-and-white drawings and a caption that reads, "People move back and forth in this area like molecules in steam." As the title and caption imply, this story reads like a series of intersecting vignettes--all focused on 14-year-old Debbie and her friends as they leave childhood behind. Perkins writes with subtle, wry humor about perceptive moments that will speak directly to readers: universe-expanding crushes, which fill the world with "signs and wonder"; scornful reappraisals of childhood things (Debbie's disdain for Nancy Drew is particularly funny); urgent concerns about outfits, snappy retorts, and self-image. Perkins adds many experimental passages to her straightforward narrative, and she finds poetry in the common exchanges between teens. One section of dialogue, written entirely in haiku, reads, "Jeff White is handsome, / but his hair is so greasy. / If he would wash it--." A few cultural references set the book in the 1970s, but most readers will find their contemporaries in these characters. Best of all are the understated moments, often private and piercing in their authenticity, that capture intelligent, likable teens searching for signs of who they are, and who they'll become.(Reprinted with permission of Booklist, copyright 2005, American Library Association.)