
Mr. Tiger Goes Wild
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- نقد و بررسی
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نقد و بررسی

Starred review from July 15, 2013
In a gratifying parable about self-actualization, Mr. Tiger lives in a drab society where bipedal animals dressed in fairly Victorian apparel exchange terse salutations, while adhering to rules of etiquette. Though similarly attired in a handsome suit coat and top hat, Mr. Tiger disrupts Brown’s (You Will Be My Friend!) manicured spreads, which are colored in the ashy browns of daguerreotypes; he’s the color of a mango, has lime green eyes, and faces readers with an expression of barely constrained disgruntlement. Mr. Tiger mechanically runs through the motions (stiffly lifting his hat to greet Mr. Deer), but, “He wanted to loosen up. He wanted to have fun. He wanted to be... wild.” Mr. Tiger’s expression turns to delight as he scampers on all fours, sheds his clothes, and heads to the wilderness—“where he went completely wild!” His eventual return to civilization reveals that liberation is on the rise. Readers who prefer the view from underneath the dinner table will find a kindred soul in Brown’s brightly burning character who knows that the wilderness is always waiting, should the need arise. Ages 3–6. Agent: Paul Rodeen, Rodeen Literary Management.

There's a lot to go wild for in this picture-book celebration of individuality and self-expression. Mr. Tiger lives a peaceable, if repressed, life alongside other anthropomorphic animals in a monochromatic, dreadfully formal little town. All the other animals seem content with their stiff, dull lives, except for Mr. Tiger, whose bright coloring is a visual metaphor for his dissatisfaction. When child (animal) characters scamper by, a bipedal horse admonishes them, "Now, children, please do not act like wild animals." This plants a seed in Mr. Tiger's mind, and a few pages later, he embraces a quadruped stance. The spread following this wordless one makes great use of the gutter, positioning aghast townsfolk on the verso as Mr. Tiger proudly marches off the recto on all fours. This is just the beginning of his adoption of wild ways, however: He sheds his clothing, runs away to the wilderness, roars and generally runs amok. But, much like that other Wild Thing, Max, Mr. Tiger comes to miss his friends, his city and his home, and so he returns to find "that things were beginning to change." Ensuing pages show animals in various states of (un)dress, sometimes on all fours, sometimes on two feet, cavorting about in colorful settings, and (to paraphrase the closing lines) all feeling free to be themselves. Hooray for Mr. Tiger and his wild ways! (Picture book. 3-7) COPYRIGHT(1) Kirkus Reviews, ALL RIGHTS RESERVED.

Starred review from August 1, 2013
K-Gr 2-Mr. Tiger lives in a perfectly fine world of prim and proper ladies and gentlemen. One day, the stiff suits, dainty teas, and Victorian manners begin to bore him... and he has a very wild idea. This "it's okay to be different" story stands out from other picture books on the topic thanks to Brown's delightfully clever illustrations and masterful compositions. From the tiger-striped cover that begs to be petted to the ingenious pops of bright orange (Brown's new signature color?) amid muted browns and grays, the award-winning illustrator does not disappoint. Children will appreciate Mr. Tiger's transformation and the way his friends eventually accept his (and their own) uniqueness. Several wordless spreads encourage audience participation while subtle visual clues gently build his character. A full spread featuring the newly liberated Mr. Tiger au naturel is delivered with pitch-perfect comedic timing and is guaranteed to inspire wild giggles. Sure to be an instant read-aloud classic in classrooms and libraries.-Kiera Parrott, Darien Library, CT
Copyright 2013 School Library Journal, LLC Used with permission.

Starred review from September 1, 2013
Preschool-G *Starred Review* Opening endpapers of orderly gray bricks introduce a community of proper Victorian animals getting about their business with smileless politesse. But Mr. Tiger, his bright-orange face a sore thumb among the elephant grays and mule-deer browns, dreams of freedom. First, he drops to all fours. His neighbors are nonplussed. Then, he rampages and roars. His neighbors are frightened. Finally, he gets naked. The village members suggest he head into the wilderness, which he thinks is a magnificent idea. He loves the wilderness, with all its wildness, but, in time, he misses the city and his friends. He returns only to discover that things have loosened to a happy medium. He dons some aloha attire, and all is right with the world. Closing endpapers of haphazard greenery celebrate the welcome change. Brown highlights the differences between municipal propriety and savage abandon with color and composition. The city is all upright, sepia, rectilinear precision; the wild, sweeping vistas of lush, verdant paradise, and their final amalgam form a nice balance. With its skewed humor and untamed spirit, this joyous exploration of quasi-reverse anthropomorphism will delight listeners again and again.(Reprinted with permission of Booklist, copyright 2013, American Library Association.)
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