The Wolf Hour

The Wolf Hour
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مشارکت: عنوان و توضیح کوتاه هر کتاب را ترجمه کنید این ترجمه بعد از تایید با نام شما در سایت نمایش داده خواهد شد.
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فرمت کتاب

ebook

تاریخ انتشار

2017

Lexile Score

690

Reading Level

3

ATOS

4.9

Interest Level

4-8(MG)

نویسنده

Sara Lewis Holmes

ناشر

Scholastic Inc.

شابک

9781338184990
  • اطلاعات
  • نقد و بررسی
  • دیدگاه کاربران
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نقد و بررسی

School Library Journal

August 1, 2017

Gr 5-8-A metafictional retelling of "Little Red Riding Hood." In the Puszcza, an ancient forest with magical roots, fairy tales are real-magicked and crafted into being by a sly Witch. But two characters, Magia, a brave woodcutter's daughter in a red cap; and Martin, a wolf who loves to read and is curious about humans, don't fit their prescribed roles. When Magia's family is threatened, she sets out for the dark forest. Martin does the same after his beloved mother goes missing. The two are on a collision course, but will their stories follow the same old path readers have come to expect? In a heady mix of folklore and fantasy, Holmes offers a meditation on fate, expectations, and the ability of people to determine their own futures. It is also an exploration of stories and the ways story can be used to harm, misinform, and alienate-a timely topic indeed. Flowery syntax and a sprinkling of Polish terms make this a sophisticated read best suited to fantasy and fairy tale lovers with an appreciation for language. VERDICT Unique and challenging, this retelling will be welcomed by fans of Gregory Maguire's Egg and Spoon and Kelly Barnhill's The Girl Who Drank the Moon.-Kiera Parrott, School Library Journal

Copyright 2017 School Library Journal, LLC Used with permission.



Kirkus

July 15, 2017
Little Red Riding Hood meets the Three Little Pigs--literally--in this fairy-tale mashup set in Poland. Magia lives with her parents, brother, and sister near the Puszcza, a mysterious forest that is greatly feared by villagers--along with the wolves that roam it. Rejecting traditional gender roles, Magia longs to become a woodcutter like Tata. She soon finds more adventure than she bargained for, wandering into the Puszcza alone; caring for a gentle, literate, orphaned wolf cub who also defies convention; battling wits with a bloodthirsty witch; and trying to rescue her family from a terrible enchantment. It emerges that the power-hungry witch holds everyone in thrall--from the little girls she tempts with a red, hooded cape to the three little pigs who just want their mother back--through her manipulation of stories. Although folk tales rely on archetypes, a novel-length fairy-tale fantasy requires more character development than is present here. The only clue to the setting is the sprinkling of Polish words whose origin many young readers may not recognize, with little sense of Polish culture conveyed in other ways. Additionally, neither of the folk tales incorporated into the story is traditionally Polish. There is a bit too much going on in this convoluted tale, making it difficult for readers to plunge in and fully immerse themselves. (Fantasy. 10-14)

COPYRIGHT(2017) Kirkus Reviews, ALL RIGHTS RESERVED.



Publisher's Weekly

September 4, 2017
The story of Little Red Riding Hood intersects with that of the Three Little Pigs in this complex fantasy, set in and around an alluring but treacherous Polish forest known as the Puszcza. In this folktale world, readers meet a woodcutter’s daughter named Magia, who is enticed by a powerful red cape offered to her by a carefully disguised witch; a young wolf named Martin who has no sense of tracking but adores books; and three pigs who long for their absent mother. As these narrative strands intersect, the retellings illustrate the power of story (Martin’s mother has taught him to believe that “stories can kill you”) while blending humorous details, such as Martin’s photographic memory of his books, with an abundance of magic. Holmes (Operation Yes) offers additional ruminations on the nature of story in occasional notes directed at readers. But although elements of these interwoven tales are individually compelling, such as Magia’s desire to ease her mother’s depression, the machinations and intersections become excessively complicated, causing the storytelling to bog down. Ages 8–12. Agent: Tina Wexler, ICM.




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