A Murder, a Mystery, and a Marriage

In 1876 Twain began this humorous murder mystery as a literary experiment that was supposed to involve the brightest literary lights of America. The experiment never came to fruition, and the story fell into obscurity until now. A Missouri farmer's hopes for riches lie in his daughter's marital prospects and the legacy assigned to her by his estranged brother. Then, just as the brother is lifting his hand to strike Mary out of his will, he is murdered. Evidence points to one of her two suitors, but who really did it? And how did Jules Verne get involved? Some of the themes that arise in the author's "The Man That Corrupted Hadleyburg" appear here, but without the bitterness. Garrison Keillor, who so brilliantly edited and read HUCKLEBERRY FINN a few years ago, brings his considerable story-reading skills to this amusing curiosity. Even though he has grown somewhat mannered with narrative, he still excels at dialogue. Glosses written and read by humorist Roy Blount, Jr., which open and close the production, are most welcome. Y.R. Winner of AudioFile Earphones Award (c) AudioFile 2001, Portland, Maine

September 3, 2001
The Atlantic Monthly, to great hoopla, recently resurrected an 1876 Twain manuscript; in this slim volume, it is reproduced, along with insightful comments from Roy Blount Jr. The question is, do we have a forgotten masterpiece? Or is the Atlantic
playing a game like the Duke and the Dauphin's Royal Nonesuch in Huckleberry Finn, inflating expectations and leading up merely to a diddly stag show? In Twain's story, a Frenchman is found in a field of snow outside a small Missouri town. He refuses to explain how he got there, but lets it be known he is a Count Fontainebleau. He courts Mary Gray, the town beauty. Mary was intended for her true love, Hugh Gregory, but her father, John Gray, scotched the marriage. David Gray, John's brother, has threatened to drop Mary from his will if she marries Hugh, whom he dislikes. Then David Gray is murdered, and Hugh Gregory is convicted of the crime. Count Fontainebleau is on the verge of marrying Mary when there is a sudden turnaround of events. Twain's original idea was to give a skeleton plot involving a mysterious stranger and a murder to other writers (including, bizarrely, Henry James) and have the Atlantic Monthly
publish all their versions—a scheme presumably engineered to show Twain's superiority. This never happened. Twain's story is, admittedly, a trifle. Roy Blount directs his comments to the reason Twain put aside Huckleberry Finn
to write it, leading him to speculate interestingly, albeit somewhat irrelevantly, on Twain's life and politics, which were shifting in 1876. Altogether, this Twain curiosa is less interesting in itself than for what Blount makes of it. (Sept.)Forecast:Curiosity will spur sales of this bauble, as will the gift-book-size trim and six watercolor illustrations by Peter de Sève.