The Book of Madness and Cures

June 25, 2012
Set during the Renaissance, O’Melveny’s novel follows the efforts of Dr. Gabriella Mondini to locate her long-missing father (also a medical doctor) and, in the process, save her career in the male-dominated field of medicine. Determined to bring her father home to Venice, Gabriella embarks on a quest that will test her mettle and take her across Europe and North Africa. Katherine Kellgren provides strong narration, reading with an aristocratic tone, deftly handling foreign words and phrases, and providing a diverse range of voices and accents for the characters. Kellgren’s reading of Gabriella’s travels across lush lands, seas, lakes, and mountains will pull the listener into the narrative and this audio edition. A Little, Brown hardcover.

February 20, 2012
Poet O’Melveny’s debut fiction is like a lyrical composite creature—part father/daughter epistolary novel, part aristocratic diary, part adventurer’s travelogue, and part compendium of allegorical diseases. When 16th-century Venetian doctor Gabriella Mondini is barred from practicing medicine, she sets off across Europe in search of her father, a respected doctor who left under mysterious circumstances 10 years ago to gather material for his Book of Diseases. As a rare female doctor, Gabriella needs his mentorship, but his letters have grown increasingly incoherent; as she follows his route, she hears disturbing stories about his erratic behavior. Forced to cut off her distinctive red hair, she travels as a man through villages empty of women and girls after mass witch burnings. Her own adventures begin to rival the tales in her father’s letters as she encounters suspicion, condescension, respect, and even romance. Gabriella’s father continues to elude her, and she must face the possibility that she no longer knows where to find him. Yet she cannot resume her own life until she does. Gabriella’s servants Olmina and Lorenzo accompany her and act as a pair of Sancho Panzas, providing mild salt-of-the-earth comic relief when not worn down by a yearning for home. By the time Gabriella reaches Morocco, where she believes her father to be, she too yearns for the comforts of Venice. But she has changed in ways that will greatly complicate her return. Readers will be delighted by O’Melveny’s whimsical embellishments, though veterans of historical fiction may balk at the poetic, metaphor-laden prose and fancifully piebald construction. Maps. Agent: Daniel Lazar, Writers House.

In sixteenth-century Venice, Gabriella Mondini's beloved but unstable father, a doctor, has gone traveling and disappeared. In spite of piteous complaints from her self-centered mother, Gabriella, who is her father's confidante and colleague in medicine, sets off across Europe and North Africa to find him. Traveling as a woman in those times was not for sissies, and O'Melveny has done her homework thoroughly, bringing to life the sights and smells, pleasures and terrors that accompany Gabriella on her quest. Her single-mindedness borders on the obsessive, not as attractive a trait as filial devotion, but O'Melveny's writing is persuasive, and Katherine Kellgren's very beautiful and artful narration, which weaves a tapestry of voices, male and female, in all the accents of the continent, makes this a book of marvels. B.G. © AudioFile 2012, Portland, Maine