Farewell, Dorothy Parker

Movie critic Violet Epps must learn to stand up for herself and to speak as forcefully in real life as she does in her reviews. During an evening at the Algonquin Hotel, Violet unleashes the ghost of the renowned wit Dorothy Parker, Violet's role model and the one "person" who just might be able to help Violet find her dormant self-confidence. Narrator Angela Brazil is wonderful with dialogue, but overly emotive during periods of narrative, making for an uneven listening experience. Her drama is preferable to a flat rendering of the text, but the constant pathos she inserts into her voice lessens the impact of the emotional scenes. J.L.K. (c) AudioFile 2013, Portland, Maine

December 17, 2012
Meister casts Dorothy Parker as a blithe spirit in her fanciful third novel (after The Other Life). Though movie critic Violet Epps has become famous for her scathing no-holds-barred wit, off the page, Violet is “held captive by her own timidity”; she can’t seem to dump her freeloading boyfriend, her assistant walks all over her, and she rarely accepts social invitations. Worst of all, this shyness has resulted in her being denied temporary custody of her recently orphaned 13-year-old niece, just when the girl needs her “Aunt V” the most. A fateful dinner at the Algonquin Hotel (one-time Parker hangout) ends with Violet becoming haunted by the spirit of her greatest influence. The acid-tongued, gin-swilling ghost immediately sets to meddling in Violet’s affairs, in an attempt to help her grow a backbone. With Parker’s help, Violet takes risks at work, connects with a new man, and finds the courage to make an impassioned plea for custody of her niece. With Violet’s help, Parker’s spirit may finally find peace. Meister skillfully translates the rapier-like wit of the Algonquin Round Table to modern-day New York. There are no shocking twists, but pathos, nuanced characters, plenty of rapid-fire one-liners, and a heart-rending denouement. Agent: Andrea Cirillo, the Jane Rotrosen Agency.