Big Brother

March 11, 2013
Shriver (We Need to Talk About Kevin) returns to the family in this intelligent meditation on food, guilt, and the real (and imagined) debts we owe the ones we love. Ex-caterer Pandora has made it big with a custom doll company that creates personal likenesses with pull-string, sometimes crude, catch phrases. The dolls speak to the condition of these characters—all trapped in destructive relationships with food (and each other): Pandora cooks to show love, to the delight of her compulsively fit husband Fletcher, whose refusal to eat dairy or vary from his biking routine are the outward manifestation of his remove. Pandora’s brother Edison eats to ease the pain of a stalled music career and broken marriage. And both live somewhat uncomfortably in the shadow of their father’s TV fame. In Big Brother, nothing reveals character more scathingly than food. Early in the book, the nearly 400-pound Edison arrives—waddling through an Iowa airport with a “ground eating galumph”—a man transformed in the four years since his sister last saw him. He brings the novel energy as well as an occasionally unpalatable maudlin drama. But Pandora will risk everything, including her own health, to save him. If this devotion and Pandora’s increasing success with Edison’s diet plan sometimes seem chirpily false, a late reveal provides devastating justification. Agent: Kim Witherspoon, Inkwell Management.

April 15, 2013

Pandora hasn't seen her older brother, Edison, a hip New York jazz musician, in four years. When she picks him up at an Iowa airport, he gives her the shock of her life: Edison has gained over 200 pounds and is unrecognizable. His visit is an intrusion into Pandora's home, which she shares with her fitness-freak husband, Fletcher, and her two adopted children. National Book Award finalist and New York Times best-selling novelist Shriver (So Much for That; We Need To Talk About Kevin) is known for her unstinting scrutiny of timely topics. Now she confronts the social but also painfully private issue of obesity through sibling relationships and marriage. However, the novel is essentially about fat--the nature of our relationship to food, why we overeat, and whether crash diets really work. As Fletcher becomes incensed with his brother-in-law's appalling eating habits, slovenly appearance, and careless behavior, he gives Pandora an ultimatum: it's him or me. VERDICT Brilliantly imagined, beautifully written, and superbly entertaining, Shriver's novel confronts readers with the decisive question: can we save our loved ones from themselves? A must-read for Shriver fans, this novel will win over new readers as well. Highly recommended. [See Prepub Alert, 12/9/12.]--Lisa Block, Atlanta

Copyright 2013 Library Journal, LLC Used with permission.