Skinner

Skinner
افزودن به بوکمارک اشتراک گذاری 0 دیدگاه کاربران 3 (1)

مشارکت: عنوان و توضیح کوتاه هر کتاب را ترجمه کنید این ترجمه بعد از تایید با نام شما در سایت نمایش داده خواهد شد.
iran گزارش تخلف

فرمت کتاب

audiobook

تاریخ انتشار

2013

نویسنده

Jay Snyder

شابک

9781478951216
  • اطلاعات
  • نقد و بررسی
  • دیدگاه کاربران
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نقد و بررسی

Publisher's Weekly

Starred review from May 6, 2013
Skinner, the hero of this exceptionally smart thriller from Huston (Sleepless), gets his name from having been raised for the first 12 years of his life inside a Skinner box—a chamber devised by 20th-century psychologist B.F. Skinner to conduct behavioral psychology experiments on animals. A former CIA agent whose early isolation has made him particularly suited to the trade of killing, Skinner is now a highly paid security technician who specializes in guarding clients, known as “assets.” One such asset is Jae, a genius analyst who likes to spend her time wandering an unnamed desert taking drugs and building tiny robots. The mysterious Terrence, who used to run the security firm Kestrel Dynamics, has worked up a solo operation for Skinner and Jae, which eventually leads them to a momentous discovery in the streets of Dharavi, a slum in the city of Bombay. Stunningly original characters, wildly surprising twists, and an ending that’s both unexpected and moving make this an extraordinary genre stand-alone. This is the sort of book you want to reread just to see how the trick was done. Agent: Simon Lipskar, Writers House.



AudioFile Magazine
Jay Snyder's practiced voice engages the listener quickly in this techno-thriller, and his experience shines throughout the entire adventure. Whether it's his staccato pacing as the bodyguard Skinner displays his methodical and deadly fighting skills or his warm voice as two lovers walk in the evening in Mumbai--Snyder's range, pacing, and timing demonstrate his skill with audiobooks. Snyder deftly transitions between the male and female protagonists and adroitly manages multiple international accents. Some listeners may not appreciate the abrupt writing style that drives the audio presentation, but Snyder makes the most of the literary technique. Addressing income inequality in a thriller whose protagonist kills quickly, efficiently, and often is an unusual approach. Huston demonstrates again that he is no ordinary writer, and Snyder does his work justice. M.L.R. (c) AudioFile 2013, Portland, Maine


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