The Beast

July 8, 2013
Soap opera-ish family drama distracts from the main plot line of bestseller Kellerman’s 21st Decker/Lazarus novel (after 2012’s Gun Games). LAPD veteran Peter Decker looks into the bizarre case of Hobart Penny, a wealthy recluse in his late 80s, whose body was discovered after neighbors heard roars from inside his apartment. The noises emanated from a full-grown Siberian tiger that Penny kept as a pet, but the victim died of blunt force trauma to the forehead, and was also shot in the back. With the dead man’s millions at stake, Decker logically probes those who could have benefited from killing Penny. That potentially intriguing set-up devolves into a fairly dull procedural. And even series fans may lose patience at the large amount of time given to a subplot involving Decker’s 17-year-old foster son, Gabe Whitman, a piano prodigy in love with a 16-year-old girl, which only serves to further burnish Decker and wife Rina’s reputation for being über-caring parents.

Mitchell Greenberg provides listeners with a relentlessly upbeat narration of Kellerman's latest police procedural. The story concerns the murder of an elderly wealthy recluse who keeps adjoining apartments filled with exotic and deadly wildlife. It's not an upbeat plot, but that's the way Greenberg plays it. His pacing is moderate, his diction is professional, and he uses tone well to navigate the conflict in the victim's family and distinguish characters. However, his overall upbeat approach clashes with sometimes horrific scenes. There's some banter among the cops--and that's where his approach fits well. But overall, this is a mismatch. D.R.W. (c) AudioFile 2013, Portland, Maine

August 15, 2013
Kellerman puts her LAPD detectives to the test in a most unusual outing, even by West Coast standards. Although billed as another Decker/Lazarus novel, Kellerman's story is less about them and more about the detective team of Marge Dunn and Scott Oliver, who work with Decker. Decker's wife, the Lazarus of the pair, plays a peripheral and virtually negligible role in this story, which limps along on a very silly premise. When neighbors in an ordinary apartment complex complain, responding police find what they believe to be a big cat and some very bad smells coming from one of the apartments. After breaking in, they discover the decaying body of a reclusive multimillionaire, guarded by his Siberian tiger. But that's not all they uncover; as the mystery deepens, they discern that their dead man suffered from both a bashed-in head and a gunshot wound. In addition to being doubly dead, he was also doubly eccentric in a not-so-good way, as the detective team finds when they delve into Hobart Penny's personal life. An ex-wife, a couple of grown children, a wildlife sanctuary director, prissy next-door neighbors, a belligerent super and assorted ladies of ill-repute add to the growing list of suspects in the case. In the meantime, the author supplements the murder with a side story that grew out of her previous work and involves a gifted, musical teen who has become Decker's foster son and the love the boy has for a girl he can't possess. The sappy romance adds nothing to the storyline, and Kellerman's main tale, with lions and tigers and bears, is often so silly that readers will have to suspend their incredulity in order to go the distance. Except for the snappy dialogue and excellent grasp of police procedure, this Kellerman vehicle has little to redeem the hard-to-swallow plot, extraneous and unremarkable love story, and odd fashion minutia, which seems designed to function mainly as page filler.

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