The Kreutzer Sonata

Simon Prebble must summon all of his formidable talents as a narrator to convey the tangled logic and morbid self-loathing of Pozdnyshev, the main character in Leo Tolstoy's 1890 novella. A chance encounter with a stranger aboard a train prompts Pozdnyshev to recount the convoluted history of his marriage while revealing much about the nature of marriage among the landed gentry of his time. Prebble succeeds admirably at presenting Pozdnyshev as both an astute social critic and an overprivileged and slightly unhinged egomaniac who misinterprets everything he sees. Is his wife a long suffering victim or a calculating adulteress? Is he the manipulator or the manipulated? Are his actions justified? Prebble's finely tuned interpretation leaves the answers up to us. L.X. © AudioFile 2012, Portland, Maine


Less a story than a philosophical tract, this tale is told to a chance listener on a railway journey by a man who has murdered his wife and been exonerated on the grounds that she was unfaithful and deserved it. Tolstoy writes the murderer Pozdnyshev as distraught, given to uttering a strange emotional cry, which Jonathan Oliver renders brilliantly. Oliver's Pozdnyshev, high-strung and tormented, is convinced that his crime was caused by the nature of modern marriage and that any true Christian, married or not, must live celibate or risk his mortal soul. Since Pozdnyshev strikes the listener as delusional, but Tolstoy's afterword makes clear that he is the author's mouthpiece, this makes for a strangely dissonant experience, if a marvelous piece of acting. B.G. (c) AudioFile 2010, Portland, Maine