Mission to Paris

April 30, 2012
Alan Furst’s writing reminds me of a swim in perfect water on a perfect day, fluid and exquisite. One wants the feeling to go on forever, the book to never end. Such is it with this historical spy novel. From September 1938 to January 1939, the reader vividly lives through Paris’s last stormy breaths of freedom before Germany’s attack in 1940. Our unlikely hero is Frederick Stahl, 40, a handsome American movie star, not an action figure but everyone’s favorite silver screen doctor or uncle or romantic leading man. Warner Bros. loans Stahl out to make a picture in Paris. He likes Paris, and he likes keeping Jack Warner happy. But there’s a little known fact in his past that the Nazis can make much of—born in Vienna, Stahl worked as a gopher for the Austrian legation in Barcelona at the end of WWI, and Austria had been an ally of Germany. So when officials in Germany’s political warfare department discover Stahl will be in their sphere of influence, they alert their Paris section to put him on “the list” to be used. From movie studios to embassies, from parties with the untouchably wealthy to a sexy love affair with a sophisticated émigré living in a tenement, Stahl finds himself caught between those who believe France must rearm to fight Germany, and those who are desperate for a negotiated peace. When Stahl refuses to support “peace,” the Nazi threats begin. To retaliate, he becomes a secret U.S. courier, bravely carrying hundreds of thousands of Swiss francs into Germany and Morocco to exchange for intelligence about the Nazis. Reading Furst is the next best thing to having been in Berlin: “Uniforms everywhere.... This country was already at war, though enemy forces had yet to appear, and Stahl could sense an almost palpable violence that hung above the city like a mist.” Like Graham Greene, Furst creates believable characters caught up, with varying degrees of willingness, in the parade of political life. And because they care, the reader does, too. And like Lee Child, Furst captures personality with insightful brush strokes: Stahl’s father had “a face like an angry prune.” Long on an ability to translate good research into great reading, Furst has only two downsides: although threats escalate, little comes of them, and when Stahl takes risks, they tend to deflate. For example, Stahl insists he’s honor-bound to pursue the Nazis who’ve stolen the film crew’s cameras, but he ends up waiting in a rowboat with a gun while others do the dangerous work offstage. And when the woman he loves is held in Budapest for interrogation, Stahl’s solution is to use his box-office status to get her a visa at the U.S. embassy, then phones the William Morris Agency in hopes his agent can come up with an exit strategy. Still, my complaints are minor compared to the breadth and realized ambition of this seductive novel. Furst is one of the finest spy novelists working today, and, from boudoir to the beach, Mission to Paris is perfect summer reading. Agent: Amanda Urban, ICM. (June) Gayle Lynds, the cofounder with David Morrell of International Thriller Writers and ThrillerFest, is the author of The Book of Spies (St. Martin’s, 2010).

Starred review from June 1, 2012
A historical spy novel that takes the reader back to the 1930s, when Europe hurtled toward the abyss. The dashing Austrian-born actor Frederic Stahl returns to France from Hollywood to film the movie Apres la Guerre. On loan from Warner Bros., he'll star as a soldier who survives The Great War and personifies its futility. All Stahl wants is to do his job on the movie set, have a pleasant dalliance or three and return to the States. But the Nazis have other ideas. Germany's goal in the '30s is to weaken France's will to fight. Germans infiltrate French society; citizens of both countries form alliances for peace while Germany quietly gathers all the intelligence it can about French military preparedness. Wouldn't Frederic Stahl like to come back to Austria to judge a movie competition? One day, good pay, and he'd be in the limelight promoting both German filmmaking and the Reich itself. Repulsed, Stahl declines. Nazis increasingly pressure him to reconsider until his life is in danger. How can he finish the movie and return--no, escape--to America? Furst doesn't make it easy on his hero, spinning strand on strand in a web of tension that's big enough to hold a lot of victims. Will the web snare Stahl and his lover? The seductive Soviet spy? The resentful waiter? The Hungarian count? No one is safe, but readers will care about all the characters, whether wanting them to survive or die. They all either live under the cloud of doom that gathers over Europe, or they are part of the cloud. Furst conveys a strong sense of the era, when responding to a knock might open the door to the end of one's days. The novel recalls a time when black and white applied to both movies and moral choices. It's a tale with wide appeal.

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January 1, 2012

Hollywood star Frederic Stahl, in Paris to make a film, finds himself contending with French fascists and the Nazi threat on the horizon even as the spy underground courts him assiduously. Furst's last, Spies in the Balkans, was a New York Times best seller; here, he has a 75,000-copy first printing and an eight-city tour.

Copyright 2012 Library Journal, LLC Used with permission.

Starred review from May 1, 2012
Through his dozen historical-espionage novels, most set just prior to or during WWII, Furst has taken us across Europe, but he is most at home in Paris, which is why legions of his fans, upon seeing the title of his latest book, will immediately feel their pulses quicken. It only gets better. Recalling The World at Night (1996), which starred Parisian filmmaker Jean Casson dodging Nazis in 1940, this equally entrancing tale returns to the world of moviemaking, this time in 1938. Hollywood movie star Fredric Stahl, on loan from Warner Brothers to appear in a French production, arrives in Paris just as Neville Chamberlain is negotiating peace in our time. A Slovenian who was raised in Vienna, Stahl is quickly contacted by old friends, now all Nazi supporters, who see him as a valuable asset in their political warfare against the French. But Stahl has other ideas and, like so many casual hedonists in Furst's books, finds himself drawn into the prewar cloak-and-dagger worldbut not on the side of his former friends. There is romance, too, of course, but, as always, it carries that familiar carpe diem double edge, as lovers' attention jumps from one another to an unexpected knock on a hotel door. Furst has been doing this and doing it superbly for a long time now, and fans will note sly nods not only to The World at Night (Casson makes a kind of cameo) but also to Kingdom of Shadows (2001) and The Foreign Correspondent (2006). Is Furst repeating himself? Not really, but who would care, even if he was? Rather, he is revisiting a familiar moment in time but viewing it from a slightly different angle, through the eyes of other sets of characters. Thank heavens for that. It looks like we'll always have Furst's Paris. HIGH-DEMAND BACKSTORY: Long ago Furst made the jump from genre favorite to mainstream bestsellerdom; returning to his signature setting, Paris, he only stands to climb higher.(Reprinted with permission of Booklist, copyright 2012, American Library Association.)