Gone Girl

Narrator Kirby Heyborne begins this suspense novel when Nick comes home on his fifth anniversary to an empty house that shows signs of a struggle but no sign of his beautiful and clever wife, Amy. Heyborne creates a persona of passive detachment that begins to show signs of wear as the police investigation increasingly focuses on him. Weaving around Nick's story, Julia Whelan dishes up Amy's diaries, beginning when Amy and Nick first met, with a tone of the doting and loving wife who lives to please. Soon it's clear that neither Amy nor Nick is to be taken at face value. The nuances heard in both Whelan's and Heyborne's narrations heighten the suspense and support the intricacies of the plot. J.E.M. © AudioFile 2012, Portland, Maine

Starred review from March 26, 2012
There’s the evil you can see coming—and then there’s Amy Elliott. Superficially, this privileged Gotham golden girl, inspiration for her psychologist-parents’ bestselling series of children’s books, couldn’t be further from the disturbingly damaged women of Edgar-finalist Flynn’s first two books, Sharp Objects and Dark Places. But as Amy’s husband, Nick Dunne, starts to realize after she disappears from their rented mansion in his Missouri hometown on their fifth anniversary—and he becomes the prime suspect in her presumed murder—underestimating Amy’s sick genius and twisted gamesmanship could prove fatal. Then again, charmer Nick may not be quite the corn-fed innocent he initially appears. Flynn masterfully lets this tale of a marriage gone toxically wrong gradually emerge through alternating accounts by Nick and Amy, both unreliable narrators in their own ways. The reader comes to discover their layers of deceit through a process similar to that at work in the imploding relationship. Compulsively readable, creepily unforgettable, this is a must read for any fan of bad girls and good writing. Agent: Stephanie Rostan, Levine Greenberg.

Starred review from September 24, 2012
Flynn’s bestselling novel is a dark and cynical treatise on how malignant a marriage can become when the wrong people say “I do.” The book begins with Nick Dunne’s first-person account of wife Amy’s disappearance on their fifth wedding anniversary and his subsequent encounters with the local North Carthage, Miss., homicide detectives who suspect him of murder. Interspersed throughout the book are Amy’s diary entries, which chart her possibly unreliable version of her and Nick’s meeting, marriage, and eventual growing apart. This literary setup is perfect for the dueling narration provided by Julia Whelan and Kirby Heyborne. The latter has a soft, youthful delivery that registers a vague sincerity that could also be interpreted as sarcasm—just the sort of voice one might expect from an intelligent, oddly disaffected, potential wife killer. Whelan’s version of Amy is filled with entitlement, egotism, and the edgy anger of a genuine or imagined victim. The combined narration of Whelan and Heyborne infuse Flynn’s bestseller with an energy that audio fans will find even more satisfying. A Crown hardcover.