The Hollywood Studios

April 25, 1988
The studio system in Hollywood was doomed once the Supreme Court decided in 1948 that the same companies that created movies could not legally control their exhibition, forcing studios to divest their theater chains. That decision inaugurated a series of changes limiting studio contributions primarily to the financing and marketing of pictures. What was lost? Much more than the simple star-making machinery one associates with the studio era, as this entertaining, informative volume makes clear. Performing arts writer and novelist Mordden (The Hollywood Musical, etc.) ably demonstrates that each studio had its own distinctive style, deriving from the esthetic affinities of the moguls who ran them, the idiosyncrasies of their contract artists and the ways they distributed power among the studios' various creative departments. Mordden makes an amiable and authoritative guide as he tours readers through the studios of the 1930s and '40s, pointing out the hallmarks of the major housesthe MGM musical, the Paramount sex comedy, the Warner crime drama and more. Written with a flair and clarity that will delight even the casual movie lover, this study is a refreshing and convincing alternative to the auteurist approach to film history. Photos not seen by PW.

May 15, 1988
Movie studios, originally small, nameless, faceless factory-like operations, grew and were shaped along stylistic lines. Focusing mainly on Paramount, MGM, Warner Brothers, Fox, RKO, and Universal, Mordden's highly readable text discusses actors, directors, and producers and explains how and why each specific house style was nurtured and developed. Written with wit by an expert, this book gives more insight and perspective to the rise of the studios than such books as John Douglas Eames's The Paramount Story ( LJ 12/85). One snagit lacks an index. Recommended for all film collections. Arthur Bargar, Milford P.L., Ct.

Copyright 1988 Library Journal, LLC Used with permission.