The Widow Nash
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- اطلاعات
- نقد و بررسی
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نقد و بررسی
Starred review from April 24, 2017
Debut novelist Harrison paints a lovely and memorable portrait of a desperate woman’s flight to a new life. In late 1904, Leda Cordelia Dulcinea Remfrey has been summoned to Seattle to attend to her dying syphilitic father, Walton. Dulcy must go, even though the summons comes from her father’s business partner and her ex-fiancé, Victor Maslingen, a man of violent rages who raped her. She is Victor’s only hope to find out what the increasingly deranged Walton has done with the profits of the sale of some African mines, money that Victor needs. After Walton’s death, as Dulcy and her sister, Carrie, travel back East to bury their father, Dulcy makes her way from the train to begin a new life in Livingston, Mont., as the Widow Maria Nash. Livingston is not without its own violence and drama, but it promises the safety of anonymity and possibly even real love. Harrison’s lead is a strong and clever woman who is easy to admire, while the rest of the heroes, villains, and ambiguous sorts are as vividly drawn as the raw and terrible scenery of Montana. Readers will treasure Harrison’s rich characterization and sharp turns of phrase.
Elisabeth Rodgers narrates the story of Dulcy Remfrey, a young woman in usual circumstances in the early twentieth century. Rodgers portrays Dulcy's finesse and practicality, gained when accompanying her eccentric father around the world as he built a mining treasure. With a feminine yet resolute tone, Rodgers depicts the courage that prompted Dulcy to escape her abusive fianc� and his demands to locate the fortune lost by her father. Rodgers provides a pompous, vaguely British voice for Dulcy's peculiar father and characterizes the other richly written personalities with sufficient color for one to follow the dialogue. The beautiful turns of phrase, elegantly describing locations from Africa to Montana, are well paced for the listener. The audiobook is capped off with a surprising conclusion. N.M.C. � AudioFile 2017, Portland, Maine
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