Theater Geek

August 2, 2010
Stagedoor Manor is famous in the performing arts community for transforming young unknowns into the likes of Natalie Portman and Robert Downey, Jr., two previous participants. Rapkin, a senior editor at GQ, follows three campers as they rehearse for major roles in Sondheim shows and recounts the camp’s storied history, complete with anecdotes of overly-dramatic directors and lax adult oversight fueled by sex and drugs (far more entertaining that any of the present-day shenanigans). Although Rapkin has obviously spoken frequently with each of his chosen subjects, he neither delves into their stories, nor questions the outlandish things they say. Indeed, one girl’s rivalry with another veteran camper is presented with such gravity that it almost seems... important. Then the reader recalls that this was on a one-day production put on by teens in a Pennsylvania forest. Theatre is a powerful force, but Rapkin rarely explores beyond the proscenium. Instead, he embraces the relationship between Stagedoor and the industry with little question, leading one to wonder what the campers who didn’t land the lead, or the agent, might have to say about all this.