The Antagonist

The Antagonist
افزودن به بوکمارک اشتراک گذاری 0 دیدگاه کاربران 4 (1)

مشارکت: عنوان و توضیح کوتاه هر کتاب را ترجمه کنید این ترجمه بعد از تایید با نام شما در سایت نمایش داده خواهد شد.
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فرمت کتاب

audiobook

تاریخ انتشار

2013

نویسنده

MacLeod Andrews

شابک

9780385366298
  • اطلاعات
  • نقد و بررسی
  • دیدگاه کاربران
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نقد و بررسی

AudioFile Magazine
The raspy voice of MacLeod Andrews brings this hard-hitting masculine story to life in all its harshness, derision, and wit. The main character's biting sarcasm runs throughout the story, and listeners become acquainted with his worldview through his letters. Andrews never lets up on these qualities in his characterization, which he conveys with precise diction. He delivers the narrative at a rapid pace reminiscent of angst-ridden young male protagonists like J.D. Salinger's Holden Caulfield. The danger of such a vivid portrayal and dramatic persona is that too much of it can seem flat, like hearing the same note being played over and over. Those who enjoy bluntness, however, will find much to appreciate in the main character. M.R. (c) AudioFile 2013, Portland, Maine

Publisher's Weekly

December 3, 2012
Canadian author Coady’s new novel (after Mean Boy) is composed of letters from Gordon Rankin Jr. to his university pal Adam, a correspondence that began when “Rank” recognized a less-than-flattering portrayal of himself in Adam’s recent novel. Angry at seeing his life story pilfered for a forgettable novel—make that angry at his life—the almost 40-year-old Rank begins e-mailing Adam. His rancor turns into an odd epistolary autobiography, covering his early years in a small town in Canada and his aborted college career, both periods when he got into trouble for violence. (Rank is “genetically blessed” with size.) The prose is sharp and very funny, and some of the characters, particularly Rank’s father, Gord, a bitter failure of a man, are deftly etched. Coady is an ambitious writer, exploring themes of masculinity, religion, and the perils and promise of the fictional enterprise, and her decision to write from the male perspective is brave and successful. But the plot often meanders and the handling of narrative perspectives creates formal questions that are never answered. (At times, a third-person “omnipotent narrator,” either the author or someone else with access and hindsight, takes over Rank’s first-person duties.) Still, the pathos and humor brought to a challenging life story will appeal to many readers.




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