The Interrogator
An Education
کتاب های مرتبط
- اطلاعات
- نقد و بررسی
- دیدگاه کاربران
نقد و بررسی
Starred review from May 23, 2011
Carle, who retired in 2007 after 23 years as a member of the CIA's Clandestine Service, recounts his toughest assignment: interrogating a top-level al-Qaeda detainee at two different overseas locations a year after 9/11. As deputy national intelligence officer for transnational threats, Carle was one of the three most senior officers for terrorism in the intelligence community focused on al-Qaeda and Osama bin Laden before 9/11. The detainee, referred to as CAPTUS, was kidnapped off a street in an unnamed Middle Eastern country, and after interrogating him day after day, Carle begins to suspect that the CIA grabbed the wrong man. His colleagues remain unconvinced, and against Carle's recommendation, move CAPTUS to the "Hotel California," a notorious detention facility that holds the most dangerous, recalcitrant suspects. Following CAPTUS to the new location, Carle struggles to figure out how far he should push the interrogation and whether he is now an unwilling witness to torture. Carle captures the spirit of the CIAâits bureaucracy, dedication, machismoâin a voice that manages to be descriptive, analytical, reflective, and philosophical in turn. Despite the CIA's numerous redactions (the author notes that the CAPTUS story is even darker than he can say), the narrative raises pointed, timely, and important questions about the policies of the CIA and the U.S. government as they ramped up the global war on terror.
Malcolm Hillgartner provides a stern but amiable voice that embodies the tone of Carle's memoir. The author relates his decades of experience within the CIA, with particular attention to his post-9/11 experiences as an interrogator of terrorist suspects and affiliated criminals. Hillgartner's sympathetic tone coupled with details of Carle's personal life works well to humanize Carle and make listeners sympathetic to him. The most problematic issue of the production is the numerous redactions within the book. The CIA had to approve the book before publishing and removed significant numbers of Carle's words. In the audio, whether it is one single word or an entire page, the listener hears only the one (almost haunting) word "redacted." This continual interruption distracts from the production, and listeners can become increasingly confused. L.E. (c) AudioFile 2011, Portland, Maine
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