Child of Vengeance

In late-sixteenth-century Japan, Bennosuke, the teenaged son of the samurai lord Munisai, makes the choice to follow in his father's footsteps and takes on the name Musashi Miyamoto. Narrating in formal tones that reflect samurai code of honor, Mark Bramhall takes the listener into a violent world of long ago when warlords cultivated vengeance and battled for scraps of land. Bramhall captures the tone and texture of this verbose tale, filled with effusive detail. He effortlessly switches from the formal language of the warriors to the introspective words of monks and the comments of respected craftsmen. Emotions are subtly rendered, as suits the characters. This story is not for the faint of heart or weak stomached as the depictions of graphic violence are bloodcurdling. M.B.K. (c) AudioFile 2013, Portland, Maine

December 17, 2012
Kirk proves himself a worthy samurai novelist with this brutal account of real-life 17th-century swordsman Musashi Miyamoto, who grew from a pockmarked village outcast to Japan’s best warrior, due to his legendary samurai treatise, The Book of the Five Rings. The novel opens as lonely 13-year-old Bennosuke polishes the armor of his revered father, the samurai Munisai, who has spent the previous eight years in exile following the death of Bennosuke’s mother. Bennosuke’s uncle, the monk Dorinbo, has been raising the boy, encouraging him to seek a quiet life in the temple, while Bennosuke wants nothing more than to start samurai training. Munisai finally returns home, wounded and discouraged, but willing to share his mastery of the warrior’s way with Bennosuke, leading to the revelation of the family’s darkest secret. After learning all he can from Munisai, Bennosuke sets out on his own, ending up at the Battle of Sekigahara, where, still a teenager, he escapes from the defeated army well versed in bloodshed, treachery, and chaos, having taken the name he will soon make famous. Kirk, who lives in Japan, positively seethes with energy when depicting bloody violence—from great battlefields to intimate ritual suicide—showing feudal Japan as a complex culture in which cunning and poetry are indispensable, and death and vengeance unavoidable.