Maya's Notebook

This simply titled novel follows the complex journey of a young woman's growth, trials, and redemption. Allende's skill lies in telling a story that is simultaneously accessible and thought provoking. The listener is drawn in by a compelling tale and held there by poetic language. Narrator Maria Cabezas has a youthful voice that can nearly break hearts with its blend of innocence and experience. Her performance as Maya is perfectly believable. Essentially abandoned by her parents and devastated by the death of her beloved grandfather, Maya must find her way back from the ravages of self-destructive behaviors and move ahead with life. Cabezas makes us root for Maya, no matter her choices; in the end, we want only the best for her. L.B.F. (c) AudioFile 2013, Portland, Maine

February 4, 2013
Allende (The House of the Spirits) moves away from her usual magical realist historical fiction into a contemporary setting, and the result is a chaotic hodgepodge. The story, told through 19-year-old Maya Vidal’s journals, alternates between Maya’s dismal past and uncertain present, which finds her in hiding on an isolated island off Chile’s coast, where her grandmother, Nidia, has taken her. Maya’s diary relates a journey into self-destruction that begins, after her beloved step-grandfather Popi’s death, with dangerous forays into sex, drugs, and delinquency, but ends up in a darkly cartoonish crime caper, as she becomes involved with gangsters in Las Vegas. Maya describes her present surroundings, meanwhile, with a bland detachment that would be more believable coming from an anthropologist than a teenager. Allende’s trademark passion for Chile is as strong as ever, and her clever writing lends buoyancy to the narrative’s deadweight, but this novel is unlikely to entrance fans old or new. Agent: Carmen Balcells, Carmen Balcells Agency.

December 1, 2012
In a stylistic departure, Allende tells the story of 19-year-old Maya Vidal, who plummets in a haze of drugs, alcohol, and petty crime. An eight-city tour and a 150,000-copy first printing.

Copyright 2012 Library Journal, LLC Used with permission.

Starred review from April 15, 2013

International best-selling novelist Allende (Ines of My Soul) delivers a no-holds-barred story of Maya Vidal, a troubled 19-year-old American living in exile on Chiloe, a remote island off the coast of Chile. Over the span of one year, Maya records in her notebooks how she arrived on the island and regained her life there. She was raised in Berkeley, CA, by unconventional grandparents, Chilean native Nini and Popo, an African American astronomy professor. When her beloved Popo died, Maya's world fell apart; a few wrong turns led her into drugs, shoplifting, and then, in Las Vegas, to an association with a despicable drug dealer named Brandon, whose hidden cache of counterfeit money she revealed. Soon, a corrupt cop, Brandon's killers, and the FBI were all after her. Nini sent her to the bottom of the world to stay with Manuel, an anthropologist writing a book on magic in Chiloe. Surrounded by the accepting Chilean villagers, Maya learns about herself, her heritage, and her connection to Chile's turbulent past. VERDICT Allende paints a vivid picture contrasting Maya's drug-clouded past and her recovery in Chiloe. Yet another accomplished work by a master storyteller that will enthrall and captivate. This is a must-read. [See Prepub Alert, 11/12/12.]--Donna Bettencourt, Mesa Cty. P.L., Palisade, CO

Copyright 2013 Library Journal, LLC Used with permission.

December 1, 2012

In a stylistic departure, Allende tells the story of 19-year-old Maya Vidal, who plummets in a haze of drugs, alcohol, and petty crime. An eight-city tour and a 150,000-copy first printing.

Copyright 2012 Library Journal, LLC Used with permission.

March 1, 2013
A 19-year-old Californian escapes her troubled past when her grandmother sends her to an isolated Chilean community in the latest confection of spiritual uplift, political instruction and lyrical melodrama from Allende (Island Beneath the Sea, 2010, etc.). In 2009, Berkley-born and -bred Maya arrives in Chiloe, an isolated island community in southern Chile, to escape the drug dealers and law enforcement officials on her trail. Her eponymous notebook combines a record of Maya's not-so-gradual immersion into the Chiloe community with her memories of an idyllic childhood and horrifically wayward adolescence. Because her Scandinavian mother deserted her in infancy and her father traveled constantly as a pilot, Maya was largely raised by her paternal grandparents, Nini and Popo. Popo, a gentle African-American astronomer, is actually Chilean-born Nini's second husband; she left Chile with her son after her first husband's arrest/torture/murder by Pinochet forces. While Maya has always loved fiery Nini, Popo was the steadying center of her girlhood. After his death, Maya dove headlong into a life of addiction and criminality, ending up on the streets of LA, where she became a drug runner and worse. But all that ugliness seems far away as she settles into Chiloe, living with and assisting Nini's old friend Manuel, an anthropologist researching the mythology of the Chilotes. Maya, who is visited at times by visions of her Popo, builds a special relationship with Manuel--her curiosity about Manuel's relationship to Nini gives Allende an excuse to explore the dark history of 1970s Chile. Maya also coaches the local kids at soccer and falls in love with a backpacking psychiatrist from Seattle, a gentle romance that contrasts starkly with her memories of rape and violation. Despite her enthusiasm for her new life, Maya remains in danger: She knows secrets criminals might kill for if they can just find her. Allende is a master at plucking heartstrings, and Maya's family drama is hard to resist, but the sentimentality and a lack of subtlety concerning politics, Chilean and American, can grate.

COPYRIGHT(2013) Kirkus Reviews, ALL RIGHTS RESERVED.